Discover Movies

11,978 Matches Found

The Secrets of Gravity: In the Footsteps of Albert Einstein

Why do things fall to the ground without magic? The young magician's apprentice Limbradur is far more interested in the universe and its secrets than boring magic spells. He is fascinated by the stars, the universe and the laws of nature. So, one night he sneaks into the Albert Einstein Museum, where he meets AlbyX3, a small, clever but rather quirky robot who knows all about Albert Einstein and his theories. Alby takes Limbradur on a magical journey of discovery through time and space, during which they not only uncover the secrets of gravity but also learn much about friendship and imagination. For Limbradur and Alby both have secrets of their own.

The Secrets of Gravity: In the Footsteps of Albert Einstein

8.3 2016
Mission: Granny

Brother and sister Paul and Kat are shipped off to spend four months with their super-strict grandmother. They don’t expect to discover their Granny was once a world-class secret agent. But when her old friend turned nemesis has her kidnapped, it’s up to Paul and Kat to team up, gear up, and save the day … spy-style. They’ll have to train like agents, chase down villains, and stop a satellite-powered vaporizer before it destroys their mom’s space station, all before bedtime.

Mission: Granny

NR N/A
Images

A succession of visual emotions in a sort of “filmed rotogravure,” where sequences and segments follow an ironic and dramatic logic that highlights the obsessions, the poverty, and the myths that shook the neoconsumerist society of those years. This approach frames, but at the same time transcends, pure reportage, venturing into a reflection on the meaning of seeing and imagining. The techniques employed range from direct rotoscope to works-in-progress, from citationism to photographic contamination.

Images

NR 1976
The Gigantic Beard That Was Evil

On the perfectly tidy island of “Here”, no one questions the blackness that surrounds them. But when humble map-maker, Dave, makes a shocking discovery, his attempt to raise the alarm is ignored. His curiosity stifled, Dave’s body rebels, and he sprouts a wild beard with a life of its own. With the unstoppable beard threatening to swamp the entire island, the residents mobilise in an effort to tame it. Chaos ensues, standards slip, but a new curiosity starts to take hold. As the blinkered corporation that runs the island desperately battles to regain control, Dave realises the beard is a force for good and works with it to open people’s minds and free Here from the tyranny of conformity.

The Gigantic Beard That Was Evil

NR N/A
Molesworth

St Custard’s School for boys is in dire trouble! Someone has been stealing school funds to pay off shady gangsters. The school is now broke and may have to close. Young pupil Nigel Molesworth suspects one of the staff. He gets wind of a devious plan to nobble the school’s star football player, bet against St Custard’s to lose the National Schools’ Cup Final at Wembley, pocket the cash and flee the country. Determined to stop the culprit, rescue their star player and save the school, Molesworth embarks on a chaotic and hysterical race across 1950s London involving bank heists, wild animals, smog, the Kray twin gangsters, stunt-driving double-decker buses, Winston Churchill and the Queen!

Molesworth

NR N/A
Caruso - A Love Opera

A fully animated 90’ Minute feature film capturing the life and artistic achievements of the legendary Opera Tenor Enrico Caruso. The film is divided into scenes, each scored by a different musical track, Caruso’s first ever recordings, recently remastered. Each scene directed and animated by different award winning Italian animation directors, visualising in their own style and artistic sensibilities. Every story will feature a different Caruso - 17 tracks that form the bones of the soundtrack and story, on to which hang events and moments from Caruso’s life.

Caruso - A Love Opera

NR N/A
Metamorphic

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

Metamorphic

6.0 1991