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Aladdin and His Magic Lamp

He travels to Aladdin's village, identified as being near the border with China, where he enlists Aladdin's help by pretending to be his long-lost uncle and offering to leave his wealth to Aladdin. At one point, the Magician character tells the story of his travels to China, India and Persia and we see a montage of these adventures and it's kind of interesting because of the way it invokes other cultures of the era. There is some unnecessary padding throughout as characters break into songs that do nothing but tell parts of Once upon a time, somewhere in Africa, a local magician dreamed of owning the Magic Lamp. Thanks to a Magic Ball he learned that the Lamp could be found in an Asian village and that only the innocent hand of a young person could snatch it. He traveled to the place, a village called Three Hill City, close to the Chinese border. There lived Aladdin

Aladdin and His Magic Lamp

6.5 1970
The Big Departure

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

The Big Departure

6.0 1972
La cité des neuf portes

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).

La cité des neuf portes

5.4 1977