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For the Good of Others

Diego is a doctor so used to working in extreme situations that he has immunized himself to others' pain. He has switched off from his work, his partner and his commitment as a father. Over the course of a disturbing meeting, Diego is threatened with a gun. Hours later, he can only remember the sound of a bang and the strange feeling of having being hit with something more than a bullet. Diego has to take an irreversible decision which will affect his own life and that of his loved ones.

For the Good of Others

5.3 2010
Heterophobia

Heterophobia traces the quick fall into hell of Mariano. A young gay man who, having been first raped and then rejected by an heterosexual friend with whom he had vague romantic illusions, has a sentimental journey from initial guilt and messianistic will of redemption, through flaring spite, up through castrating rage, before arriving to a final conclusion: that the the only possible action against patriarchy is revolution. Made in the margins of the Argentine audiovisual community (from which some of the creative team have been effectively blacklisted). It was produced according to the precepts of guerrilla film making is a romantic torch song--not melancholic, but actually demanding a torch with which to ignite the world.

Heterophobia

1.7 2015
Help for the Holidays

Although she loves Christmas, Santa’s elf Christine (Summer Glau) wonders if there could be more to life than making toys in the North Pole. When Santa receives an emergency wish from a little boy in Los Angeles, he puts Christine on a special assignment, sending her to L.A. to give the VanCamp family—mom Sara (Eva La Rue), dad Scott (Dan Gauthier), and their two kids Ally (Izabela Vidovic) and Will (Mason Cook)—a holiday wake-up call. Will Christine fail her assignment and be sent back to the North Pole for good, or will the VanCamps come to their senses about the meaning of Christmas?

Help for the Holidays

6.1 2012
Cactua

A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.

Cactua

NR 2011
Fantastic Return to Oz

A year to the day after Dorothy and the people of the Emerald City defeated Urfin Jus, the villain is trying to exact his revenge. To command the army of Carraci, however, Urfin needs not only the magic book, but also Dorothy’s silver slippers. The slippers are safely hidden away in Dorothy’s house. Unfortunately, Dorothy’s guest, Tim, is overcome by curiosity and picks up the shoes, accidentally transporting himself, Dorothy and the slippers to the Land of Oz. The Emerald City and its citizens are in danger once again.

Fantastic Return to Oz

5.4 2019
Chhota Bheem in the Incan Adventure

A huge bird swoops down and kidnaps Princess Indumati. The army's scoured the whole area and the neighboring kingdoms but there's no trace of Princess Indumati. The only thing Bheem finds was strange bird-feathers from the land of Incas. Bheem and team starts searching in the forests of Mexico where Dholu-Bholu fall off into a river. Bheem and others jump in to save them but are soon carried off by the rivers currents to the shores of a desolate valley. The valley is covered with heaps and heaps of ashes all around one such mound lie near the princess bangles. The sun rises and the mounds of ashes takes the shape of humans. The Incas where they meet Princess Indumati.

Chhota Bheem in the Incan Adventure

NR 2013
Fausto

On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.

Fausto

5.3 2019