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Cinderella or The Glass Slipper

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

Cinderella or The Glass Slipper

5.8 1912
The Prolific Magical Egg

A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms about and suddenly turns into a magician. The magician produces an egg, performing several sleight-of-hand tricks, and places it upon the table with the small end downward. He then crudely draws a human face upon the shell, and the egg immediately begins growing larger and larger until it reaches the size of a normal head.

The Prolific Magical Egg

6.0 1902
Imanitrala

We are in a remote place in the big city of Antananarivo, two men are contemplating the twilight sun. The first, a soldier, in his forties, the second, an old man sitting on a chair, his back bent, he supports himself with a cane. The latter tells the soldier that a strange woman on the hill opposite practices a little ritual every night: she dances in front of a bonfire. As he prepares to leave to join his family, after two years of absence, this story intrigues him all the more as he cannot see the woman, he is a stranger...

Imanitrala

NR 2022
Offenbach: The Tales of Hoffmann

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

Offenbach: The Tales of Hoffmann

NR 2016
The Perfect Story

On the small Island of Ecrin where people literally feed on books, a fire-breathing Shadow suddenly appears. Every night, it terrorizes the village and devours new stories. Soon, a legend begins to spread: only the Perfect Story will defeat the Shadow. Louise, a reckless little girl whose mother was killed by the monster, lives with her father George. Overwhelmed by her behavior, he has decided to send his daughter to boarding school. Louise runs away and breaks into the Shadow’s castle: if she manages to kill it, she will become the village hero and make her father proud. She is accompanied by the cowardly but intelligent Edouard and his little sister, the fearless and cheerful Juliette.

The Perfect Story

NR N/A