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Jethro Tull: Story of the Hare who Lost his Spectacles

'Nonsense' piece inserted between Acts Two and Three of Jethro Tull's A Passion Play, which bears no relation to the rest of The Play. In 1973 concerts, the band left the stage after Act Two and a filmed version of 'The Hare...' was shown. A spoken-word comedic interlude (narrated by Jeffrey Hammond with an exaggerated Lancashire accent) backed by instrumentation. Presented as an absurd fable, the interlude details (with much wordplay) the failure of a group of anthropomorphic animals to help a hare find his missing eyeglasses.

Jethro Tull: Story of the Hare who Lost his Spectacles

NR 1973
The Waif and the Wizard

The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another early example of a two-shot film along the lines of Paul's earlier film Come Along Do!. The young man plays a magician who, after completing his act, agrees to go home with the young boy from the audience who helped him perform his tricks. At the boy's home he finds a sick sister and a worried mother being threatened with eviction by her landlord.

The Waif and the Wizard

7.0 1901
Sifting the Evidence: The World of the Bible

Dr. Chris Sinkinson presents in a thoughtful, accessible and engaging manner, demonstrating through on site location and interviews with experts, that archaeology affirms that the Bible is reliable and fits with important events that occurred in the ancient world. He cites Jerome who considered Israel the “fifth gospel” and his avid interest and expertise in the land and history is clearly evident. Indeed if we visit and study Israel, that will illumine and enrich our understanding of the Bible. Interestingly and additionally, when Blaise Pascal was asked by Louis XIV for evidence for the existence of God, he simply similarly responded, “The Jews, your majesty, the Jews.”

Sifting the Evidence: The World of the Bible

5.0 2020
HSP: There Is No Escape from the Terrors Of the Mind

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

HSP: There Is No Escape from the Terrors Of the Mind

NR 2013