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O Všudybylovi

In a kingdom, there lives a widowed king and his capricious and wayward daughter Jitka. One day, the king gets lost while hunting and meets a mysterious old woman and her beautiful daughter. He immediately falls in love with the girl and takes her to the castle with him. But Jitka is not thrilled about her new mother. And so she discovers that the future queen is not the daughter of a strange woman. But on the journey to find out who is who and what role she plays in the fairy tale, perhaps the most important role is played by Všudybyl, a young man who offers Jitka help and his heart at the right moment.

O Všudybylovi

NR 1977
Krkonošské hromování

Pretty Aninka is terribly lazy, she just wants to sleep, her mother tries in vain to get her to do any work. Even Toník, her boyfriend, cannot convince her that she cannot just lie in her blankets all the time. There is a storm coming, everyone is trying to get hay under the roof, but Aninka is lying under a tree and would rather go to the Thunderclaps than toil here. And that morning the Thunderclaps took her to their heavenly chamber. There the poor girl has to serve them. One of them, Tlučhrom, even wants to marry her. But Toník, her sweetheart, and his mother search for her all over the world and with the help of good people they even get to the Thunderclaps' kingdom. The cooper hid them in the barrels that the Thunderclaps had come for so that they could roll them around the sky in joy. It won't take them much trouble to outwit the stupid hulks and get Aninka back among the people. And now that Aninka was in her wedding dress, she could go to the altar with Toník.

Krkonošské hromování

8.0 1971
Jethro Tull: Story of the Hare who Lost his Spectacles

'Nonsense' piece inserted between Acts Two and Three of Jethro Tull's A Passion Play, which bears no relation to the rest of The Play. In 1973 concerts, the band left the stage after Act Two and a filmed version of 'The Hare...' was shown. A spoken-word comedic interlude (narrated by Jeffrey Hammond with an exaggerated Lancashire accent) backed by instrumentation. Presented as an absurd fable, the interlude details (with much wordplay) the failure of a group of anthropomorphic animals to help a hare find his missing eyeglasses.

Jethro Tull: Story of the Hare who Lost his Spectacles

NR 1973
Ms. Velma's Most Incredibly Magnificent Christmas Week

A Christmas special of extraordinary beauty. One hour of magnificent staging, costumes, and music. Featuring Miss Velma Jaggers--famous the world over for her beautiful dramas and called by fashion designers one of the twelve best dressed women in American. Accompanied by the Statesmen Quartet and the Miss Velma Singers and Musicians. This is the rare and highly beloved complete recording of Miss Velma's holiday spectacular, Christmas in America. Now, presented in amazing low definition, digitally remastered from archival VHS. This is the actual, legendary, one-of-a-kind Christmas cantata extravaganza originally performed and broadcast from the Universal World Church in Los Angeles, California. —Universal World Church

Ms. Velma's Most Incredibly Magnificent Christmas Week

1.0 1976
Nosferatu, a Creole Scene

Fiction written, directed and starring Hernán Castellano, mythologized as one of the missing links in Chilean horror cinema. A mixture of folk horror and satire, the plot presents an alien vampire who, traveling through the galaxy, lands in his grave in Santiago, Chile. Its subtitle of "Escenita Criolla" reflects the character of its modest production and nods to socio-cultural elements of the country. After the coup d'état, the 16 mm copy was buried in the courtyard of the house of one of the actors, and was later finished by Castellano in 1990 in the United States.

Nosferatu, a Creole Scene

NR 1973
Elasticity

Impressionistic surrealism in three acts. The approach is literary experimental with optical effects. There are three mental states that are interesting: amnesia, euphoria and ecstasy. Amnesia is not knowing who you are and wanting desperately to know. I call this the White Night. Euphoria is not knowing who you are and not caring. This is the Dream of Meditation. Ecstasy is knowing exactly who you are and still not caring. I call this the Memory of the Future. This is an autobiographical film funded by the American Film Institute.

Elasticity

4.5 1975