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Long Low Line (Fordland)

Dean extrapolated landscape images from 1920s Ford advertisements, leaving out the cars to focus on their representations of place and nature. She made the animation using a digital version of a multiplane camera technique employed in early Disney films to create an immersive and 3D illusion by separating two-dimensional images. This technique was itself inspired by Ford’s assembly line; Dean uses it to explore historical depictions of the American dream, exaggerating the subject matter’s fantastical style. [Overview courtesy of the Whitney Museum of American Art]

Long Low Line (Fordland)

NR 2022
Madre Drone

Madre Drone was made at a period of crisis, that encompassed decades of political, economic, and environmental catastrophes in South America, including: the burning of Bolivia's Chiquitania dry forests and Amazon rainforests; mass uprisings in Santiago, Chile over low wages and the high cost of living; and eruptions of police brutality. Created while Domínguez was volunteering at an improvised animal shelter that cared for wildlife burned or maimed in the forest fires, the dreamlike video Madre Drone draws a line between environmental disaster and human political crisis. In it, imagery of a toucan blinded by flames merges with laser-clad robots, cosmic serpents, spy drones, and footage of protests in Santiago, during which hundreds suffered eye trauma from hardened rubber bullets and tear gas fired by Chilean security forces. [Overview courtesy of New Museum]

Madre Drone

NR 2022