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The Dwarf Sorcerer

After seeing his father murdered and his mother abducted by a caveman-like martial arts cult, a small boy is taken in by a wizened old kung fu master, who rigorously trains him until he is endowed with almost supernatural fighting skills. This training, however, takes much less time than it would in most martial arts films, in which the kid would attain mastery at about the same time he reaches adulthood. Instead what we get is a sword-wielding 5 year old waging a bloody war of revenge against an assortment of adult-sized demons and people in heartbreakingly threadbare monster costumes.

The Dwarf Sorcerer

5.8 1974
Les chants de Maldoror

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Les chants de Maldoror

6.4 1978
The Nameless Knight

Unlike all other films of Cuneyt Arkin, this film picture is taken by a highly skilled team with quite a lot of preparations. The scenario is a fairy tale which is pleasantly supported by some high quality visual effects (prepared in a visual lab in England). The scenes are all supported with high quality decorations of the old times of the tale. Cuneyt Arkin with his athletic capabilities enables the hero of this tale to be brought to life in his act. It is really unlucky for the film team to prepare such a good film after a series of junk films which directly reduced the interest to this high quality film.

The Nameless Knight

7.2 1970
Tales of Beatrix Potter

The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.

Tales of Beatrix Potter

6.2 1971