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Labyrinth

The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see... In company of Walerian Borowczyk, Peter Foldes & Arcady, Kamler is the successor to a prestigious tradition of East European émigré animators (think: Alexieff, Bartosch, Starewycz). Like their precursors, they are also among the most distinguished artists in cinema, celebrated for their graphic style and narrative experiment.

Labyrinth

7.3 1969
The Gallant Musketeer

Set against the troubled period of the Wars of Religion in France, at a time when the three Henries (Henri III, Henri de Guise and Henri de Béarn) vied for the the throne, these new adventures of Pardaillan have the gallant musketeer defend the rightful king Henri III.Jean gives his full to thwart the Duke of Guise's attempts to have the king assassinated. A heartthrob more than ever, Pardaillan will awake serious interest in many a girl, at times becoming their prey like with Bianca Farnese, De Guise's agent.

The Gallant Musketeer

5.9 1964
Copacabana Palace

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

Copacabana Palace

5.0 1962