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Cavalleria rusticana

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

Cavalleria rusticana

8.5 1982
To Save Nine

Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release.

To Save Nine

6.3 1989
Perfidi incanti

"Perfidi Incanti" is made up of three short episodes. The first, "Il Viaggio" ("The Journey"), is taken from Francis Scott Fitzgerald's diaries, and shows the adventures of a writer traveling between America, Africa and Europe. The second episode, "Estrellita Va a New York" ("Estrellita Goes to New York"), is inspired by a comics story by Carlos Ceesepe, and tells the escape to the United States of little Estrellita and her friend Katia who, helped by Pablo Picasso, try to escape from Paris occupied by the Nazis. The third segment, "Due Dongiovanni", is an original subject by Mario Martone and Giorgio Barberio Corsetti, freely inspired by Alfred Hitchcock's movie Saboteur (1942). The three episodes are linked together by an original musical motif composed by the Panoramics which returns in all the stories, but with different arrangements.

Perfidi incanti

7.0 1984
The Girl from Millelire Street

Young Betty Pellegrino (Orla Conforti) is a strong-minded 13-year-old, left on her own to deal with life in the poorer districts of an industrialized Turin. Street life alternates with bouts in the reformatory, and Betty's prospects for a decent life seem fairly dim in spite of her consistently ready wit and ability to take whatever life hands out. Then she meets a social worker willing to add Betty to her already heavy case load. Maybe there is some hope after all, as two against the world double Betty's odds.

The Girl from Millelire Street

8.0 1981
Lo Scorpione a Due Code

Joan Mulligan is waiting in vain for her husband, Arthur Blanc, an Etruscologist who has traveled to Tuscany in search of materials for an exhibition. The woman, who suffers from metapsychic disturbances, "sees" in a nightmare the cave her husband has discovered, where Arthur is mysteriously murdered. She then departs for Italy herself, determined to shed light on her husband's death, and finds herself entangled in a series of other murders that have taken place in the same cemetery—all of which share one same macabre detail. Mike, a secret agent who has fallen in love with her, must uncover the truth behind the intricate mystery. (extended version of Assassinio al Cimitero Etrusco)

Lo Scorpione a Due Code

NR 1982
Un Uomo in Trappola

A man is investigated for the murder of a person, even though he was in the company of a girl in a nightclub at the time; However, the young woman is afraid to testify for fear of retaliation, so she asks the man's family for a large sum of money in order to tell the truth to the police. Subsequently, other murders follow one another, including that of the real murderer, who was only a hitman, of the witness and of the witness's best friend. The suspect thus thinks that it is his business partner who wants to get involved but the truth turns out to be even more tangled.

Un Uomo in Trappola

10.0 1985
Vampirismus

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.

Vampirismus

NR 1982