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Othello

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

Othello

6.7 1981
Droit de Réponse

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Droit de Réponse

8.3 1981
La Garçonne

The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.

La Garçonne

6.3 1988
Les lutteurs immobiles

The consumer society is dead. Welcome to the preservation society! As of their first school year, children are taught to love objects, which most of them do. But not all citizens. To remedy the problem, The security forces crack down on vandals, bands of protesters and other iconoclasts. And for greater efficiency the States uses the services of Kief, a mad scientist who operates on prisoners so as to pair them with totem-objects. Which is why Judith gets wrinkles when her clothes are creased. Which is why the skin of librarian Mikoski gets pierced with holes whenever rats gnaw at his books.

Les lutteurs immobiles

7.7 1988
Treize

Pierre Mallois is 33, married to the sweet Claire who is close to him, is the captain of the basketball team AS Denain-Voltaire. A former international, he has the full confidence of his managers and supporters. However, his team must compete for the national title against CO Beauvais. In this match, Pierre plays an average game and the public discovers a new darling, Didier Varence. It is also the beginning of a family conflict between Pierre and the faithful Claire - and with the son Raphael...

Treize

9.0 1981
Frankenstein 90

French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l'amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?

Frankenstein 90

5.8 1984
Richelieu ou La journée des dupes

A historical television film directed by Jean‑Dominique de La Rochefoucauld, Richelieu, or The Day of the Dupes recounts the political tensions that came to a head in November 1630, when Marie de’ Medici attempted to remove Cardinal Richelieu from power. Blending court intrigue, the king’s illness, and decisive reversals, the film portrays the struggle for influence that ultimately cemented Louis XIII’s trust in his minister. Led by Didier Sandre, Patrick Raynal, and Dominique Blanchar, the telefilm offers a meticulous reconstruction of the events that shaped the kingdom’s balance of power.

Richelieu ou La journée des dupes

8.0 1983
The Man with the Suitcase

A sensitivity to sounds coming from the activities of an unwelcome guest in the close quarters of an apartment is only one important component in this atmospheric, avant-garde drollery by Chantal Akerman. When the apartment owner comes home, her guest is settled in and at first, the slightly reclusive host decides simply to eat her breakfast in her room instead of having to face morning conversation with her guest. Sounds of the toilet flushing, the bath water running and splashing, footsteps pacing, and furniture moving invade the hostess' refuge in her bedroom like the frontrunners of an all-out offensive. She locks herself up for 28 days, life's detritus accumulating around her, just so she does not have to go out to face the nemesis that lurks beyond her door.

The Man with the Suitcase

6.3 1983