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Örkény István: Tóték

Lajos Tót, municipal firefighter at the Mátraszentanna. His house is clean, his garden bathed in sunshine. If his son weren't serving on the Russian front, Lajos Tót would only know there was a war on from the radio. When his son's commanding officer turns up one fine day to rest from the shocks of war at the Tót's, Lajos Tót and his family do everything to make the Major feel at home. Everything that is humanly possible. But what is humanly possible, in times of hardship at least, is a matter of opinion. "If a snake (a rarity) devours itself, is there a snake-sized void left behind? And is there any power that can feed a man his being? Is there? No? Is there? A toothy question!"

Örkény István: Tóték

9.0 1978
One Million-Year Trip: Bander Book

Bander is a 17-year-old boy from Earth who lives on a distant planet, which is populated by human shape-shifters who feed off of vegetables and animal tails. Violence soon breaks out, as invaders launch an attack on Bander's new planet. This was Japan's first 2-hour animated film for television. The program received high ratings when broadcast as part of a set of 24-hour TV programs called "Ai wa Chikyu wo Sukuu" on Nippon Television. After a long gap since his last animated film for television, this work fully reflects Osamu Tezuka's desire to achieve theatrical quality with this production.

One Million-Year Trip: Bander Book

5.4 1978
The Young Mistress of Niskavuori

The most famous work of the remarkable classic of Finnish literature Hella Wuolijoki is the saga of the Niskavuori family, consisting of five plays. The first of them, *"The Young Mistress of Niskavuori"*, which reflects the Finnish national character, tells the story of love, changes in life, disappointments, and views on morality through the eyes of straightforward, stubborn people from the countryside who must adapt to new circumstances. The action takes place in 1880.

The Young Mistress of Niskavuori

NR 1979
Salome

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

Salome

4.3 1971