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Hollywood at Last!

Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)

Hollywood at Last!

NR 1979
Ms. Velma's Most Incredibly Magnificent Christmas Week

A Christmas special of extraordinary beauty. One hour of magnificent staging, costumes, and music. Featuring Miss Velma Jaggers--famous the world over for her beautiful dramas and called by fashion designers one of the twelve best dressed women in American. Accompanied by the Statesmen Quartet and the Miss Velma Singers and Musicians. This is the rare and highly beloved complete recording of Miss Velma's holiday spectacular, Christmas in America. Now, presented in amazing low definition, digitally remastered from archival VHS. This is the actual, legendary, one-of-a-kind Christmas cantata extravaganza originally performed and broadcast from the Universal World Church in Los Angeles, California. —Universal World Church

Ms. Velma's Most Incredibly Magnificent Christmas Week

1.0 1976
Lúdláb királynő

In 18th-century Paris, Jerome Coignard, an abbé who enters a Parisian soup kitchen called the Queen of Goosefoot, takes on the owner's son, James the Impaler, as his apprentice in exchange for a good salary. The abbé, a doctor of theology and a master of the arts, is a man of great learning, adventurous and fond of physical pleasures, who humorously highlights the contradictions between common sense and Catholic beliefs. In the house of D'Astarac, a wealthy alchemist philosopher, he employs the abbot and his disciple to translate ancient Greek texts.

Lúdláb királynő

NR 1973
Filmmaker's Holiday

The film is put together as a collection of autonomous images which, once combined, make up van der Keuken's mental universe: family happiness, fragments of some of his earlier films, a homage to the saxophonist Ben Webster, two poems by the great contemporary poets Remco Campert and Lucebert, a portrait of the director's grandfather, who taught him photography at the age of twelve... 
"One of those small masterpieces one encounters by surprise..." Jean-Paul Fargier, Cahiers du Cinéma, 1975

Filmmaker's Holiday

6.0 1974