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The City of the Sun

1600, Southern Italy is under the Spanish Government. A few years before an attempt at rebellion, inspired by the preaching of the philosopher and monk Tommaso Campanella, is severely quelled by the Government. Campanella, under the charge of the plot, is put into a prison in Naples and waits for the conclusion of an endless process. Throughout the Calabrian countries his name is wrapped up in legend, he becomes almost a myth. Someone believes he has escaped from prison and wanders about under a false name.

The City of the Sun

5.5 1973
Going Where I've Never Been: The Photography of Diane Arbus

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

Going Where I've Never Been: The Photography of Diane Arbus

6.0 1972
Niedziela pewnego małżeństwa w mieście przemysłowym średniej wielkości

The Milewskis are a middle-aged couple. Witold and Magda, both occupied with careers in managerial positions, create a solid, well-matched relationship. They have no children - this is Magda's decision, who preferred to pursue a career rather than take care of diapers. However, little remains of the bond they had at the beginning. Each Sunday, each of them cheats on their partner, and they both know nothing about it. Everything changes when Witold's younger brother Franek, a handsome geologist, shows up at their place.

Niedziela pewnego małżeństwa w mieście przemysłowym średniej wielkości

6.0 1977
Leonard Bernstein: Reflections

Leonard Bernstein discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute and the influence of great masters like Reiner, Mitropoulos and Koussevitzky. He shares his feelings on the primacy of tonal music and speculates on the nature of the creative process. From Carnegie Hall, scene of his début, to the living room of his home and his private studio overlooking New York's Central Park, Reflections explores the artist's varied and colourful career.

Leonard Bernstein: Reflections

2.0 1978
Miracle of Marcelino

Marcelino Pan y Vino is a Filipino TV movie from 1979 directed by Mario O'Hara. The film is a remake of Ladislao Vajda's 1955 film of the same title, about a boy brought up by monks and encountering Divinity. The story revolves around Marcelino, an orphan abandoned as a baby on the steps of a monastery in nineteenth-century Spain. The monks raise the child, and Marcelino grows into a rowdy young boy. He has been warned by the monks not to visit the monastery attic, where a "very big man who will take him away" lives, but he ventures upstairs anyway, sees the man and tears off back down the stairs.

Miracle of Marcelino

10.0 1979
Az utolsó tánctanár

Géza Böszörményi's 1975 German-Hungarian co-production film stars János Balogh as a dance and etiquette teacher. He learned the craft from his father and now travels the country with his son Simon. They are on their way to Hortobágy to "celebrate" the closing ball of their dance school. But before that, they are teaching the locals the tricks of the art of gentlemanly behaviour in Pest. But the Hortobágy dance exam is not as successful as in the good old days. The young people have only one thing on their minds: to live in the capital as soon as possible, and in the Hortobágy they will soon be nothing but horsemen and cowboys entertaining the western tourists of the National Park. János Balogh and his son also go back to the bleak and soulless prefab housing estate, where Simon tells his father that he no longer wants to be a dance teacher.

Az utolsó tánctanár

8.0 1975
Professor Tarantoga und sein seltsamer Gast

With an open mind and the meticulousness of a scientist, Professor Tarantoga meets his strange guest, who has made contact with him from a psychiatric institution. The eccentric introduces himself as Novak on one occasion and Hippekorn on another. Hippekorn comes from the future, more precisely from the second half of the 35th century. Professor Tarantoga patiently tries to find out whether the man is simply crazy or actually an alien from another time and world.

Professor Tarantoga und sein seltsamer Gast

6.0 1979