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The Johnny Cash Christmas Special 1978

For his 1978 Christmas special, the third in as many years, Johnny Cash moved the taping of the Christmas Special to Los Angeles, and, predictably, the program takes on a Hollywood feel. Guests include Kris Kristofferson and singer Rita Coolidge, both friends of the Cash family who perform a heartfelt "Please Don't Tell Me How The Story Ends," and Steve Martin, one of America's hottest new comics at the time. June Carter Cash, as always, performs with her husband, and other family members make appearances in this special as well.

The Johnny Cash Christmas Special 1978

NR 1978
Paper Roses

Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.

Paper Roses

8.0 1971
Fuses

Zündschnüre explores the emotional and psychological aftermath of war. The story follows two former soldiers who return home after serving in a brutal conflict. They find themselves struggling to reintegrate into civilian life, grappling with trauma, guilt, and their difficult pasts. As they attempt to reconnect with their families and rebuild their lives, the haunting effects of war continue to haunt them, testing their resilience and relationships. Fuses is a poignant and intense exploration of human suffering, healing, and the lingering scars of violence.

Fuses

10.0 1974
Arthur Penn, 1922-: Themes and Variants

This documentary premiered at the 1970 Cannes Film Festival and combines black and white with color photography. Director Arthur Penn is the subject of the film. He is shown being interviewed along with his two children, 12 year old Mathew and 8 year old Molly. Scenes are shown from The Left Handed Gun, The Chase, The Miracle Worker, Bonny and Clyde, Alice's Restaurant and Little Big Man. Penn recalls how Warner Brothers insisted he change the ending for The Left Handed Gun and talks about the violence in Bonny and Clyde. His work from 1958 to 1970 received three Academy Award nominations. The director attended the world premiere of this film at Cannes and was pleased with the final effort.

Arthur Penn, 1922-: Themes and Variants

8.0 1970
The Silvermoon

The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

The Silvermoon

NR 1978