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Shall We Go to Your or My Place or Each Go Home Alone?

Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc

Shall We Go to Your or My Place or Each Go Home Alone?

5.9 1973
ABBA-dabba-doo

This first documentary about the pop group ABBA was made around the time of the release of their fourth album 'Arrival'. It contains unique archive footage filmed at the secret location where they made the record, concert footage, specially made promotional videos, photos from the group members' private collection and interviews in Swedish with each of them: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. Stig was also interviewed briefly and was shown playing and singing part of Tivedshambo on acoustic guitar.

ABBA-dabba-doo

8.5 1976
Die Nacht von Lissabon

After fleeing from Nazi Germany, Josef and Helen Schwarz arrive in Portugal's capital in 1942, where a ship to America awaits them. But on the evening before the ship departs, Helen dies in the hotel. She had concealed the cancer from her husband so as not to burden their last days together. Deeply affected and disillusioned, Josef is drawn to the port of Lisbon. There he meets a penniless exile to whom he is willing to give the ship's tickets and visas, which have now become worthless to him, if he accompanies him that night and listens to his story.

Die Nacht von Lissabon

3.7 1971
Measure for Measure

When the Duke of Vienna takes a mysterious leave of absence and leaves the strict Angelo in charge, things couldn't be worse for Claudio, who is sentenced to death for premarital sex. His sister, Isabella (a nun-in-training), however, is a very persuasive pleader. She goes to Angelo, but instead of freeing her brother, she gets an offer from Angelo to save Claudio's life if Isabella sleeps with him. The only sympathetic friend Isabella has is a priest who, in actuality, is the Duke in disguise...and he has a plan.

Measure for Measure

5.9 1979
Neil Diamond : Live At the Greek Theatre 1976

Neil Diamond gives a powerful and memorable performance at the packed Greek Theatre in Los Angeles in 1976, perhaps one of Neil’s great years. The show takes us back to a memorable time in pop music and in Neil Diamond’s career - while also giving us music that is as fresh and timeless today as it was then. The early hits are here, in rousing and intimate interpretations: ‘Cherry, Cherry,’ ‘Song Sung Blue,’ ‘Sweet Caroline,’ ‘I Am...I Said,’ ‘Cracklin’ Rosie,’ and more. But Neil also introduces songs from what was then his new album - and is now considered a classic - the benchmark ‘Beautiful Noise,’ produced by rocker Robbie Robertson. And Neil gets across the footlights, bringing the big audience to its feet, inciting clapping and singing along, and pulling two of the best-known stars of the era, singer Helen Reddy and the actor Henry Winkler (then an icon as TV’s ‘Fonzie’) up on stage to sing with him. An amazing trip back in time with one of our most enduring singers.

Neil Diamond : Live At the Greek Theatre 1976

10.0 1977
Bette Midler: Ol' Red Hair Is Back

In 1977, Bette Midler's first television special premiered, featuring guest stars Dustin Hoffman and Emmett Kelly. It went on to win Bette her first Emmy Award for Outstanding Special — Comedy-Variety or Music. To make the show palatable to home viewers, the special featured heavily cleaned up versions of the material Midler was performing at that time on stage. The title of the show, Ol' Red Hair is Back, was a takeoff on the title of Frank Sinatra's recent album Ol' Blue Eyes Is Back.

Bette Midler: Ol' Red Hair Is Back

8.5 1977