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Help Wanted: Kids

When the Burkes loose their jobs in New York, they have to move to Arizona, where Tom has an job-offer in the management of a small company for children's clothing. Unfortunately Tom's new boss Sirus Lovelin turns out to be extremely fond of the traditional American family and automatically assumes Amanda to be housewife and mother - but the Burkes don't even have children! To not offend him, they "hire" two kids they met prowling the streets. When they turn out witty, but nasty and impertinent, the Burkes want to rid themselves of them, but are entangled already too deeply in their lie...

Help Wanted: Kids

6.5 1986
A Wedding on Waltons Mountain

Erin Walton is considering marrying her boyfriend Paul but her old boyfriend Ashley, who left for the war and married someone else, lived through his wife's death and would like to get Erin back, but Paul is not going to give her up so easily. Also Mary Ellen's boyfriend Jonesy who's a veterinarian is trying to establish a practice but everybody doesn't think he is competent. And Ben who has been minding the lumber business while their father's with their ailing mother in Arizona is having some problems and everybody's worried that he's digging himself a hole that he might not get out of.

A Wedding on Waltons Mountain

6.0 1982
The Oldest Living Graduate

Henry Fonda stars as Col. J. C. Kincaid, crusty patriarch of a Texas family. Kincaid's weak-willed son Floyd (George Grizzard) wants to get into the old man's good graces so that he can develop the Colonel's vast land ownings. Floyd arranges a city-wide celebration lauding Kincaid as the oldest living graduate of a nearby military academy. The festivities serve only to make the already sour Kincaid even more truculent and miserable. Adapted from Preston Jones' 1974 play and originally telecast live from Dallas' Southern Methodist University on April 7, 1980.

The Oldest Living Graduate

4.0 1980
King of America

Hot-tempered Greek immigrant Andreas arrives in America in 1915. He finds work on a railroad, but soon gives his corrupt foreman Mekakis a savage beating. Making his way west across the country, Andreas eventually comes upon another railroad looking for workers. It turns out Mekakis has gone westward, too. He offers Andreas the only job suitable for him, a "mountain mover" on the suicide squad: He must grapple down the face of a cliff, position sticks of dynamite and then climb back up again before the lit fuses reach the explosive.

King of America

9.0 1982
The Making of 'Raiders of the Lost Ark'

One of the first 'Making of...' movies to become a hit in its own right, this documentary treats movie fans to a behind-the-scenes look at the making of Raiders of the Lost Ark, about the quest to find the Ark of the Covenant before the Nazis. Included are interviews with stars Harrison Ford and Karen Allen, director Steven Spielberg and other members of the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.

The Making of 'Raiders of the Lost Ark'

7.2 1981
Die Drachenprinzessin

Fairytale teleplay based on the fairytale "The Water of Life" by the Brothers Grimm. The wizard, ruler of the black forest, can be defeated if someone manages to draw water from the spring containing the water of life. The princess sets off to find the water of life for her terminally ill father. The sorcerer transforms the girl into a dragon. A fairy gives the king new courage to face life. He defends himself against the sorcerer. He is supported by the blacksmith, who takes up the fight and defeats the wizard.

Die Drachenprinzessin

10.0 1980
Marattam

Panicker's one-act play deals with the relation of identification between an actor and his or her role. The action takes place on the eve of the last act of the Kathakali piece Keechakavadham (The Killing of Keechaka). The events surrounding the performance uncannily echo events in the play. One character even claims to have killed the lead actor of the play because he detested the character the man portrayed. However, the three different accounts that are presented of the same plot are never resolved or reconciled with each other. Each version is accompanied by a different style of folk music: the tune and rhythm of southern Kerala’s thampuran pattu, the pulluvan pattu and the ayappan pattu. The performers were drawn from the theatre and from Kathakali. In southern India, with its plethora of politicians using their film images to acquire inordinate wealth and power, Aravindan’s TV film bears on an eminently sensitive political as well as aesthetic issue.

Marattam

9.0 1988