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The Trouble With People

The overall title for five short sketches by Neil Simon. 1: "The Greasy Diner." The story of a couple who enter a diner, take one look around, then wish they had never entered. 2: "The Man Who Got a Ticket." The story of a driver who is issued 369 summonses by a confused computer. 3: "The Night Visitor." The efforts of a detective to catch an elusive prowler. 4: "The Office Sharers." The story of Ernie and Ben, friends who have worked side by side for eight years without an argument until... 5: "Double Trouble." The story of a husband who wrenches his back while closing the window for his wife who has the chills.

The Trouble With People

NR 1972
Kenneth Anger: Film as Magical Ritual

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Kenneth Anger: Film as Magical Ritual

5.7 1970
Men of Crisis: The Harvey Wallinger Story

Dr. Harvey Wallinger is one of Nixon's aides who rises through the ranks to become the "real" power behind the president. This short was produced as a television special for PBS in 1971 and was scheduled to air in February 1972, but it was pulled from the schedule shortly before its airdate as PBS officials reportedly feared it might adversely affect their government funding. The special never aired, but it can now be viewed in The Paley Center for Media and has been widely bootlegged online.

Men of Crisis: The Harvey Wallinger Story

5.9 1971
Black and White Like Day and Night

A scientist who swore off playing chess after a nervous breakdown as a boy wunderkind, creates an undefeated chess program. But the Russian world champ beats Tommy Rosemund's masterwork in a televised match. So the West German mathematician becomes a top chess pro himself, which the West German media boast will prove the superiority of Germany and democracy. The jowly, white-faced Rosemund believes that the entire Red Communist bloc is out to stop him from vanquishing their atheist pretty boy, Stefan Koruga, to become the next Bobby Fischer and a symbol that capitalism is preferable to socialism.

Black and White Like Day and Night

6.3 1978