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A Christmas to Remember

A harsh TV personality, Jennifer, needs a break from her own life, so she hops into a car and drives to a small town mountain retreat. On her way there a blizzard veers off the road and she crashes. When she comes to she has complete amnesia and a friendly passerby takes her in. As time passes she still doesn’t remember who she is and the friendly passerby, a widower himself with three kids, assimilates her into his family. But as she slowly starts remembering who she is, she prefers the new life she’s built in the small town.

A Christmas to Remember

6.0 2016
Getting Physical

The world of female bodybuilding provides the backdrop for this tale of an aspiring young actress who initially becomes interested in the sport as a means of self-defense following a physical attack by two men, but then finds that while concentrating on building up her body her relationship with her parents, with whom she is living, and her new-found boyfriend, a young cop, is breaking down. Several noted bodybuilders and iron-pumpers, male and female, put in appearances to give this production an added authenticity.

Getting Physical

4.3 1984
Desperate Choices: To Save My Child

Sixteen-year-old Cassie Robbins is a spirited teenage girl, who loves her father Richard and stepmother Mel and dotes on her six-year-old half-brother Willy. But her carefree, happy life is forever changed when she is diagnosed with leukeamia and her only hope of a cure lies in a bone-marrow transplant. However, when Willy proves to be a match, Mel is not-so-willing to allow her young son to undergo surgery as he nearly died the last time he was operated on after reacting badly to the anaesthetic. Mel and Richard now have to decide if it right to risk the life of one of their children to save the life of the other child. And of Willy's own rights in deciding if he should help the sister he hero-worships...?

Desperate Choices: To Save My Child

4.2 1992
The TV Wheel

A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).

The TV Wheel

6.0 1995