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Ooku 3 Special ~ Women of the Bakumatsu Era ~

In the grand ballroom of Edo Castle. The 13th shogun, Tokugawa Iesada (Kitamura Kazuki), and Atsuko (Kanno Miho) are about to hold a wedding ceremony. Behind the seemingly luxurious and lavish party, there is a complicated political situation between the shogunate and the Satsuma clan. A secret engagement with Katsuaki Togo (Ryuji Harada),a marriage acceptance on the orders of Shimazu Nariakira (Hirotaro Honda), the feudal lord of the clan. An onlooker of this farce from the sidelines with mixed feelings Takiyama (Asano Yuko). The mistreatment by the palace ladies Kuzuoka (Machiko Washio), Yoshino (Kaori Yamaguchi) and Urao (Maki Kubota), Hatsushima (Tae Kimura).The retainers Yukie (Hoshino Mari) and Matsunosuke (Kaneko Takatoshi). The poisoning of Keifuku (Kamiki Ryunosuke). Was it really the handiwork of the Hitotsubashi faction, which wanted to prevent Keifuku from succeeding as Shogun? Or...! Then a surprising fact is revealed.

Ooku 3 Special ~ Women of the Bakumatsu Era ~

9.0 2004
小さな狂言師 誕生~野村萬斎・親子三代の初舞台~

Kyogen actor Nomura Mansai's eldest son, Yuki (3 years old at the time), was chosen to play the role of a child monkey in the kyogen play Utsubo Saru, and together with Mansai's father, Mansaku, the three generations of the family made their first appearance on the stage. The first half of the programme is a documentary following Yuki as he trains for the traditional performance, and his father and grandfather as they strictly instruct him.

小さな狂言師 誕生~野村萬斎・親子三代の初舞台~

NR 2004
六百年の「今」を舞う~狂言師・野村萬斎

Kyogen performer Mansai Nomura is taking on the challenge of various attempts to convey the appeal of Kyogen, a traditional art form with a 600-year history, to the modern age. While carrying the weight of the Nomura family's legacy, which was spun out by his father Mansaku, a living national treasure, and others, he has been lightly expanding his field of activity to appear in films and dramas and stage productions. These various activities are nothing other than the path of Mansai Nomura, a kyogen performer who conveys the appeal of kyogen with its profound expressive power to the present day. Through the figure of Mansai, who is always creating new challenges, this programme introduces the appeal of the "traditional Japanese performing arts" in the "present".

六百年の「今」を舞う~狂言師・野村萬斎

NR 2013
未来へ 伝統×最先端が挑む日本最古の舞 ~狂言師・野村萬斎×真鍋大度の挑戦~

Kyogen performer Nomura Mansai's speciality, Sanbaso, is said to be the oldest form of Shinto ritual in Japan's performing arts. On the occasion of his 50th birthday, Mansai took up the challenge of fusing tradition and technology with the help of media artist Daito Manabe and others to see how he could delve deeper into this "Sanbaso" and see if a new form of expression was possible. The programme will take up the challenge of fusing tradition and technology. The programme follows the trajectory of the project and explores the roots of what "Sanbaso" is all about.

未来へ 伝統×最先端が挑む日本最古の舞 ~狂言師・野村萬斎×真鍋大度の挑戦~

NR 2017
Dying Out of Sight: Hikikomori in an Aging Japan

It's estimated over a million Japanese live as "hikikomori," recluses totally withdrawn from society. Some hikikomori may even go for decades without leaving their house. While in the past the phenomenon was most commonly associated with young men, recent data has revealed a much wider demographic of people whose confidence in themselves, and in society, has been shattered. As the parents or relatives hikikomori so often depend on entirely become too old to care for them, many now face a dire situation, left alone and unable to cope.

Dying Out of Sight: Hikikomori in an Aging Japan

8.0 2021
The Niyodo River: A Symphony in Blue

The 124-kilometer Niyodo River is the purest in all of Japan. It possesses a striking hue of blue known as Niyodo Blue that is a testament to the cleanliness of its waters, which have remained pristine despite serving the needs of 100,000 locals. The program vividly portrays the Niyodo through gorgeous photography captured with the latest technology and Masakatsu Takagi's evocative piano score. The Niyodo remains blue from the forests that give it birth to its mouth. Along the way, its waters nurture the colorful wildlife that live in and around the river while also displaying a surprising expressiveness themselves. These aspects are filmed in meticulous detail with the help of guide Nobuyuki Takahashi, a photographer with intimate knowledge of the river.

The Niyodo River: A Symphony in Blue

NR 2012