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Hitler's War on Oil: Objective Baku

This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.

Hitler's War on Oil: Objective Baku

7.2 2015
Out of the Sun

This short film takes viewers on a whirlwind tour of the history of air combat, from World War I through the Vietnam War. It was produced by General Dynamics sometime prior to 1990 and re-released by Lockheed Martin in the mid-nineties. As a promotional short for the F-16 Fighting Falcon, the film reviews the development of aerial combat to place the F-16 in historical context. Informational narration is supplemented with snippets from interviews of top fighter aces. The aces focus on the characteristics that make great fighter pilots and great fighter aircraft. The interviewees include World War I ace W.C. "Bill" Lambert; World War II aces Douglas Bader, Stanford Tuck, Adolf Galland, Erich Hartmann, Gabby Gabreski, Tex Hill, and Svein Heglund; Korean War ace Ralph Parr; and Vietnam War ace Steve Ritchie. The film includes historical footage and stills, along with opening and closing segments briefly featuring the F-16 Fighting Falcon.

Out of the Sun

NR 1984
The Sacred Flame

Colonel Maurice Taylor of the Royal Flying Corps is hopelessly injured in an airplane crash immediately following his marriage to Stella. Maurice is non-functional in most of the physical areas of marriage that count, but Stella attends to his other needs faithfully for three years. Then his brother, Colin, shows up from South America, and he and Stella fall passionately in love and are making plans to run away together. Mother Taylor is aware of the romance, as is Nurse Weyland, who is secretly in love with Maurice, and now hates Stella for her careless attitude toward Maurice's patiently-borne sufferings. Maurice is also aware of the affair. He has a talk with his wife and brother. Complications arise.

The Sacred Flame

3.3 1929
Nine Month War

Jani (24) lives in a small town in Western Ukraine in the Hungarian minority. He is an only child and his father died five years ago. He is fed up with the boring life in his town and drowning in the love of Erzsike (45), his mother. He gets his draft-call from the Ukrainian National Guard, to fight the separatist. He could sneak out of the country to escape the military service just like his fellows did, but instead he chooses to go to the war 1,500 km away – why? He is not a patriot. He is not even Ukrainian. Combining visuals of cinema verité and mobile footage of war, Jani’s coming-of-age story unfolds throughout the nine months of military service and a few months after discharge.

Nine Month War

NR 2018
By the Call of the Heart

The heroes got married shortly before the start of the war. In the summer of 1941, Grigory went to the front, was wounded and evacuated along with the hospital. Attempts to find her husband were unsuccessful. Tamara went to the front line as a medical instructor, then graduated from the artillery school and became a platoon commander. And later I found out that Grigory was picked up by villagers and, having changed his oath, he remained waiting for the arrival of the Soviet Army. Realizing his mistake, Grigory realized that only with blood he could atone for his guilt - and reached the front line, no longer afraid of death. Soon Tamara received a notification of his death. After the war, she remarried and was happy, like many in the post-war years. And only the unexpected return of Gregory for a while made her doubt the legitimacy of this happiness.

By the Call of the Heart

8.0 1986
The Bullet is Afraid of a Brave, or Mishka Accepts the Fight

The 22nd of June, 1941. A usual morning in a usual children camp near the very frontier. Children are splashing in a river, and take the landing troops, coming down from the sky, with enthusiasm, thinking that this is a military training. But these are fascists. They drive all children together in a camp, fence them in a barblock and announce that all of them will soon be sent to Germany. The Soviet tank battalion, located nearby, makes an attempt to save the children, but is defeated. Only one tank driven by uncle Vasia survived. Accidentally the survived tankman meets Michael, a boy who was ordered by Germans to burn pioneer neckties. He asks uncle Vasia to help him rescue children from captivity. The tankman agrees. The rescue of young pioneers operation starts on the only one tank with one little assistant.

The Bullet is Afraid of a Brave, or Mishka Accepts the Fight

10.0 1970
Hollywood Spies

During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.

Hollywood Spies

6.5 2017
The Enclave

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

The Enclave

NR 2013