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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Children often tear off the beautiful illustrations from the books in the children's library while others are not paying attention. The walls of his house are covered with various illustrations that he secretly tore. One day, when he posted a picture of a woodpecker that he had just stolen on the wall, he had a quarrel with the small animals on the wall. The small animals asked to go back to the library, but he refused to let them do so.

The oriole sang on the branch. As soon as the song ended, there was applause. It happily picked a big red flower, and took it to thank the two little bears who applauded it——Little Black and Little Brown. But the two little bears are vying to say that they clapped first. There is only one safflower, and the oriole does not know whom to give it to.

In midsummer, there are bursts of cheerful laughter from time to time near the pond in the wild. Little fireflies are flying in the sky, playing happily with little goldfishes in the water. After playing, the firefly bid farewell to her friends, and flew around to inform other little insects that they must attend the firefly gala tonight on time. At this moment, a dark cloud floated over, and the firefly, who was eager to make an announcement, encountered heavy rain, and was exhausted and injured, and even the fireflies on his body were extinguished. The sad firefly never forgets the unfinished task of sending notifications. In order to help him complete the task, the little goldfish decides to help him.

It is said that on this day, the Tang monk, master and apprentice went through thousands of mountains and rivers, and came to a place called Flame Mountain. The flames here stretched for hundreds of miles, blocking the road to the west. It turned out that Sun Dasheng made a disturbance in the Heavenly Palace five hundred years ago and knocked over the alchemy furnace of the Supreme Lord. The true fire of samadhi descended from the sky, accomplishing another tribulation on the path of learning the scriptures. Tang Seng is frowning, Zhu Bajie retreats before the battle, and Monkey King plans to ask the wife of the Bull Demon King to extinguish the fire with a plantain fan.

Jin Tieyi has been learning martial arts from his master Zhang Tianxi since he was a child, and has practiced martial arts with Tianxi's children Wenlan and Daxiong. One day, Tieyi followed his master's order to travel around the world. On the way, he was attacked by corpses in a strange temple. Fortunately, he was saved by the Taoist Leng Tianhun. Tianhun and Tianxi were enemies, so he pretended to accept Tieyi as his apprentice and use him.

Magically gifted boy Sasuke lives in peace, deep in the forest with his animal pals and Oyu, his elder sister. After their forest sanctuary is violated by a demon witch who devours one of Sasuke's animal companions, he vows vengeance. Leaving the forest, he sets out to master his magical gifts, making a pilgrimage to the home of the wizard Hakuunsai. While Sasuke learns the ways of magic, the demon witch terrorizes the countryside, and Sasuke works to complete his training in time.

Attracted by the report of the development of a new type of rocket fuel, the vicious dictator of Krangkor, the dark planet, descends on Earth to steal the formula from its creator, the benevolent Dr. Makin.

During the Lantern Festival, mother took her daughter Xiaomei to a temple fair. Mother bought a beautiful doll for Xiaomei, and asked the master in the toy store to repair the little wooden figure that Xiaomei had damaged. Not long after Xiaomei returned home to play, she burned the legs of the little wooden man, stained the dolls, and threw them in the corner in disgust. Xiaomei falls asleep and dreams of the toys.

The appearance of the tiger made the bustling forest instantly quiet, and the small animals fled to safe places to hide. When the tiger stopped at the entrance of a cave, the goats in the cave were frightened, but with an idea, it thought of a good way. The goat pretended to be the king, shouted that the tiger meat was delicious, and told the tiger to enter the cave quickly. Later, thinking about it, he was worried that the tiger might really break in, so he simply walked out of the cave, and then used his wisdom to scare the tiger out of his wits.

A kappa village is devastated by a large storm during festival preparations. With no fish in the river, the village is weakened. Kawatarou and his girlfriend head the mountains to find anything to bring back.

Japanese film.

Tells a story of how two pupils are brought up the spirit of collectivism with the help of their teachers and Young Pioneers.

Chen San is a very lazy hunter who often lies under a big tree and sleeps. One day, he saw the old hunter go hunting and got up to accompany him. At first, he was very excited, humming and hurrying along, but after a while, he was listless like an eggplant beaten by Shuang.

Ke Li, a farmer of the Yao nationality, and his mother are exploited and oppressed by the bully landlord, and lead a poor life. One day, an old man passing by passed out at the door of Ke's house. Ke Li gave the old man the only cake in the house and sent the old man home. The old man's daughter took off a pair of gold earrings, and turned the gold earrings into two golden locks and gave them to Ke Li.

Kind people help bring little Lan-Lan and her brother Dong-Dong to Beijing to their parents.

Film adaptation of the stage version of Samuil Marshak's "Twelve Months"

Tora-chan and Miike are working on the side of a tuna steamship and manage to run afoul of the short-tempered captain. But the captain makes plenty of trouble on his own!

Considered Nakayama’s masterpiece and awarded at the Festival International du Film Amateur in Cannes, Little Bear Story opens with a mother telling a story to her son, who struggles to fall asleep. The narrative explores themes of maternal love and independence, unfolding through bear puppets of a cub and its mother. The puppets were handmade by Nakayama’s wife, and the couple constructed an elaborate diorama in their home for the film’s production.

Sazae finally gets married, but right after that, Masuo is transferred to Osaka. A heartbroken Sazae sends her parents on a silver wedding trip, and eventually heads for Nikko, a travel destination. Sazae is once again overwhelmed by the sight of the newlyweds bustling with sunlight, but...

The Matsukawa family lived modestly as a close-knit trio of mother and daughters, relying on the income from the younger daughter, Motoko, who worked at a Western-style clothing store in Ginza, and their meager savings. This film was adapted from Nakano Minoru's original work "Otohime-sama Gojouiki" (The Landing of Princess Otohime), serialized in Lucky magazine.

Japanese film.

A group of eighth-grade boys and girls set themselves the goal of greening the vacant lot adjacent to their school and turning it into a blooming garden. At first, they thought it would be extremely easy to achieve this goal. But then there were those who argued that the garden only required physical strength (so wouldn't it be easier to hire workers?) and that schoolchildren should not be distracted from their classes, especially since many of them were falling behind. The enthusiastic gardeners did not give up. They took the weaker students under their wing. Much more was needed—special knowledge, teamwork skills, and perseverance—before the eighth graders were able to ceremoniously present the school with the first bouquets of flowers from their plot.

A masterpiece of life sketches overflowing with heartwarming affection and laughter that portrays the modern common people with humor and pathos, focusing on the daily life of Sanpei Mejiro, a salaryman for over twenty years who finds a little happiness in life in his poor but joyful home.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

A little girl who falls into a lake and is saved by a god who then takes her up to the clouds and shows her what the world was like before she was born and what the world would be like if she where never born. While in the clouds she meets her grandparents and a few other people she loved who have passed on.

Sazae's wish came true and she got married to Masuo. The two ended up living together at Sazae's parents' home, the Isono family. However, the newlywed life that started at the Isono family was a disaster. At the Isono family, where bonito and Wakame pranks and neighbors visit, it is difficult even to be alone.

In the hot summer, a group of little monkeys jumped up and down tirelessly on several trees on the mountain, having a great time. Wearing a straw hat on his head and shoulders, and with two wine gourds hanging on his chest, the old man struggled up from the bottom of the mountain. When he saw a large shade of trees, he stopped to rest and fell asleep after a while. The little monkeys sized up the old man, and became interested in the straw hat and wine gourd he threw on the ground.

Two young Japanese schoolboys, one skinny and poor, one fat and well-to-do, become unlikely friends.

A mysterious hero must intervene when a nefarious presence from outer space arrives to steal a powerful new rocket fuel.

In winter, the little white rabbit found two radishes in the snow, ate the small one by himself, and decided to give the big one to the deer. The little deer was not at home, so the little white rabbit put down the radish and left. When Xiao Lu came home, he saw a big carrot on the table. He felt very strange. When he just wanted to eat it, he thought of it.

Hye-ok and doctor Jeong, are happily married, but she worries that they are childless. While the doctor is away on business, a boy shows up saying he's her husbands son from a one night affair during the war. He's been raised in secret, but now that she's on her death bed he has no choice but to meet his father. Hye-ok feels betrayed and tries to send him to an orphanage, but he refuses. While he lives with her, Hye-ok begins to feel for him, and he for her. Upon her husbands return Hye-ok is set to leave, and Jeong begs for forgiveness. Meanwhile the boy waits for his real mother by the train tracks and nearly falls to his death by a train. She is killed saving him. Will the boy reunite with his step mother and finally know his father?

Masuo and Sazae are enjoying their newlywed life in their new house, even though they are in company housing. Masuo's colleague is invited to thank him for the newlyweds, but Masuo has been told by Managing Director Hanamura to go on a business trip to Kansai. Before long, Masuo contacted Sazae to come to Osaka.

Hibari no komoriuta (ひばりの子守唄, literally "Hibari's Lullaby") is a 1951 black-and-white Japanese film directed by Koji Shima. The movie is based on Das doppelte Lottchen, a novel later adapted as The Parent Trap.

A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.

Sequel to 1959's Planet Prince

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.

The story of a top-heavy frog.

Xiao Hei, a little carp, jumps over the bridge pier and gets cheers from his four friends. His grandma says that he is capable only if he can jump over the Dragon Gate like his ancestors did.

This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

The puppet animation won the Silver Award at the 2nd Bucharest International Puppet Film Festival in Romania.

Japanese film.