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Ardhangi

Zamindar Bhujangarao (Gummadi) has two sons. The elder son Raghunath Rao (Akkineni Nageswara Rao) born to his first wife is a retard. After her death, he married Rajeswari (Santha Kumari) and the couple has a son Nagendra Rao / Naagu (Jaggaiah) a man of vices. Impressed by the way Padma (Savitri) a village girl faced Naagu when he threatened to take their farm lands, the Zamindar fixes Naagu’s marriage with her. But Rajeswari vetoes the alliance and suggests to perform her marriage with Raghu. After marriage, Padma learns that Raghu became a retard due to the opium-fed during his childhood to put him to sleep by the maid, Ayamma (Vijayalakshmi).

Ardhangi

10.0 1955
Once Upon a Time, There Was a King...

A selfish self-centered widowed ruler, barely tolerated by his subjects and called appropriately enough, 'King Myself, First' asks his three daughters to name the measure of their love for him. When one of them says, "more than salt", he banishes her from the kingdom. Not understanding what she meant the King assumes love can only be measured by precious metals or one's own talent, the 'correct' answers from his other two daughters. The arrogance of the King leads him to gather all the salt in the kingdom and destroy it. Of course, this backfires as he slowly learns the universal value of the substance, and of course, the essence of his daughter's reply. With the help of the wise and magical old 'herb woman', the King also learns what it means to be a true and wise ruler.

Once Upon a Time, There Was a King...

8.0 1955
El ruiseñor de las cumbres

Joselito is a shepherd who lives happily taking care of his sheep in the mountains. From time to time he goes down to the village where his parents live. His mother always expects him but his father is never there. When Joselito discovers the real reason for this absence (his father spends all the money the boy carries home in drinking) he decides to quit everything. Then he associates with Pepino a sympathetic rogue who believes that the voice of the shepherd is going to provide them a lot of money

El ruiseñor de las cumbres

4.6 1958
The Mark of the Skunk

In 1840 California, The Texmelucan viscount bizco, offers a feast for his son Tin, who returned from Italy where he studied fencing. The boy turns out to be a coward who flees in terror after refusing to fight a duel with Captain Gaspar. In their flight, Tin rescues a witch was tied to a tree. Grateful, the witch gives him an ointment that will make him invincible for an hour. The coward swordsman will have three opportunities to use it and save his father from the injustices of the evil ruler Marcelo.

The Mark of the Skunk

7.3 1950
The Painted Fox

Cartoon based on the Ukrainian fairy tale of the same name by Ivan Franko. A fearsome beast arrived in the forest to impose its order in it and called Ostromysl. His formidable appearance frightened all the forest animals, and even Mikhail Potapych himself. When Ostromysl fell into the river and the paint was washed away by the water, the animals were convinced that it was just an ordinary fox. The rascal was chased out of the forest. The movie ends with Hedgehog's admonition: "Whatever the beast looks like, don't take his word for it!“

The Painted Fox

5.0 1953
The Scarlet Flower

Before going on an overseas journey, a merchant father asks his three daughters what they would like him to bring back for them. The eldest asks for a shining tiara, the middle asks for a frame through which her face would always appear young, and the youngest (Nastenka) asks her father to bring her a beautiful scarlet flower like one which she saw in her dreams. Her elder sisters laugh at this simple wish. The father's trip is successful and he finds everything that he came for, with the exception of Nastenka's scarlet flower. Nevertheless, the ship heaves off and they begin to head back while the father scans the lands around him for a scarlet flower.

The Scarlet Flower

6.6 1952
The Spirit of Christmas

This Christmas film, created as a special for television broadcast throughout the Philadelphia, Pennsylvania viewing region, was produced by puppeteer Mabel Beaton and her husband Les for Bell Telephone Company and first aired in 1953. Following a short live-action opening portion, featured are two extended marionette segments, the first dramatizing Clement Moore's "A Visit from St. Nicholas", the second reverently telling the Nativity story; the two stories are staged in classic, traditional style. From 1953 onward, for several years, The Spirit of Christmas was broadcast in the intended region multiple times per holiday season. It was also available as a 16mm film licensed to schools for showings to students. This film often is misstated to have originally been broadcast in 1950.

The Spirit of Christmas

6.5 1953
The Clever Goat

The appearance of the tiger made the bustling forest instantly quiet, and the small animals fled to safe places to hide. When the tiger stopped at the entrance of a cave, the goats in the cave were frightened, but with an idea, it thought of a good way. The goat pretended to be the king, shouted that the tiger meat was delicious, and told the tiger to enter the cave quickly. Later, thinking about it, he was worried that the tiger might really break in, so he simply walked out of the cave, and then used his wisdom to scare the tiger out of his wits.

The Clever Goat

NR 1956
The Brave Engineer

Casey Jones is one of the best engineers there is and it is his duty to get his cargo to its destination on time via train. He sets off but is set back by a number of unfortunate circumstances such as a rain storm, a cow on the tracks, a mad bomber, and finally, when his train starts falling apart. Worst of all, he is on a collision course with another train coming in the opposite direction. After a terrific crash, the man at the train station assumes the worst when Casey doesn't show up but, to his delight, Casey finally makes it to his destination a total wreck but on time (almost).

The Brave Engineer

6.1 1950
Behind the red gates

Behind the red gates lies Dyrehaven with the green beeches and the famous zoo hill - the motley world of clowns. Professor Labardi is behind the popular singer pavilion, where his young daughter, Gulnare, performs. After a rainy summer, there is an economic low tide on Bakken, and the family is tempted to seek help from Gulnare's enterprising suitor, Carlo Petersen. But Professor Labardi carries a secret: the clown family has family ties to the fine legal world outside the gates. There is conflict, money transactions, love, hypocrisy and villainous streaks when the fine world and the hill folk meet. Behind the Red Gates is a terrific folk comedy that takes us behind the attractions at the traditional amusement park in Klampenborg.

Behind the red gates

7.6 1951
Little Red Riding Hood

Ever since a little girl received a red cap from her grandmother—which she loves to wear—everyone has called her “Little Red Riding Hood.” Little Red Riding Hood lives with her mother and her five brothers in a little cottage on the edge of the forest. Since their father passed away, Little Red Riding Hood’s brothers have been working as lumberjacks to support the family. The little girl helps her mother with the housework as best she can. When Little Red Riding Hood’s grandmother falls seriously ill, her mother has to take care of her, while the girl handles the chores at home and also prepares meals for her five brothers.

Little Red Riding Hood

6.8 1954
The Military Secret

Natka, who dreams of becoming a captain, is sent to pioneer work. She takes her first assignment very seriously - and receives a trip to Crimea. In Artek, Natka is asked to replace a sick pioneer leader. The girl agrees. Soon, during the construction of a water pipeline, a dam breaks and a struggle for water begins. Engineer Ganin, who came on vacation with his little son Alka, also joins this fight. In the ruins of the old fortress, Vladik and Tolik find dynamite. To track down their enemies, the guys hide explosives and swear not to reveal their “military secrets”...

The Military Secret

9.0 1959
The Rebelion of the Dolls

A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.

The Rebelion of the Dolls

5.5 1957