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Kwong is a child longing for parental attention. To see his mother, who works in a department store, Kwong often pretends to leave his keys at home, compelling her to return home to let him in. While waiting for his mother to finish work, he frequently observes her assisting lost children in the store. Kwong imagines himself as one of those children, craving similar attention from his mother. Meanwhile, rumors of an impending earthquake stir anxiety across Hong Kong...

Eagerly wanting to have a last bloom of her youth, Mama Yeung conceals her stubborn husband and rebellious son, and steps into the new splendid world of pole dance. Yet, this secret has been accidentally revealed, putting her into a dilemma between fulfilling her family’s needs and pursuing her dream…

When suffering becomes intolerable, our primal instinct kicks in and a victim becomes a survivor, the weakest prey deemed expendable as an unfortunate but necessary part of collateral damage. A withdrawn boy and his rebellious stepsister fall in love and lust in the shadow of their abusive father. The tipping point is passed one day and all hell breaks loose, releasing angst-ridden teenage yearnings for freedom that results in hurt, damage and blood.

It is always a lesson on communication between father and son, especially when they are having different points of view on life and death. Hung Fat raises up his son by running his coffin shop. However, his son Chun Wai is a doctor. They are detached to each other. Chun Wai does not understand why his father is so insisted to maintain the old shop. Until one day, Chun Wai inherits the coffin shop, then he understands the important of the shop to the neighbourhood. No matter how the society and environment changes, the meaning of life and death is the eternal lesson which we all have to understand.

A peace-loving soldier from Ancient China is magically transported into a world ruled by an evil nine-headed snake. Transformed into a panda, he joins forces with a flying pig to free the once-peaceful Merryland from tyranny. But first he must train to be the kingdom's most courageous panda warrior.

Nani is practicing for a dance performance on the upcoming Children’s Day. However, her mother is too busy making scarecrows to sell. Eventually Nani has to take care of a younger sibling that forces her to give up her dream and opportunities.

MY NEXT STEP follows a young Kunqu Opera artist YANG Yang(28 year-old) over the course of several years. It offers its audience a glimpse into the world of Kunqu, and a magnifying look into the ambivalence of a young man struggling to find a way out for a fading art.

Melodramatic film about a child prodigy.

Tai is the middle-aged owner of an Internet cafe, but unfortunately, it’s not doing so well. It’s mostly empty, especially because, as his landlord points out, kids play games on their phones nowadays. He decides to participate in the Hong Kong One Shot Esports tournament and hopefully win the grand-prize money to save his business. To qualify, he needs to be part of a team, so he recruits Solo, a recently fired esports player facing a decline in his career; Fay, who started working at Tai’s Internet cafe after not lasting long at her previous jobs; and former movie star Octo, who plays games with his elderly wife to help her exercise her brain and fight the degeneration process. Together, they call themselves Happy Hour, and they’ll combine their strengths in gaming to win this fierce competition. It ain’t over till it’s game over!

Shan, an art assistant, juggles responsibilities on the film set and at the hospital, where she cares for her father, Kueng, who has cancer. During her time at the hospital, Shan is tasked by the crew to collect a big bowl from the prop-studio. At her father's request, they discreetly leave the hospital together, embarking on an unexpected journey from the studio to Macau, and subsequently to Okinawa, allowing Kueng to address his unfulfilled wishes. Following his peaceful passing, Shan inherits not only memories but also a lasting sense of courage, optimism, and imaginative spirit that sustains her throughout life.

Changing times and cultural landscape lead to differences in musical taste. Ah Ning wrote Cantonese pop songs in the 1980s, and revels in the glory days of “good music”. The music scene changes, and he falls into oblivion. A piece of bad news leads to a brief reunion with his daughter Lok Kei after ten years of separation. Lok Kei is now a big fan of K-pop which Ah Ning despises and considers empty and repetitive. Just like in many generational conflicts, through their love for each other, Ah Ning and Lok Kei try to unravel all the hidden truths and misunderstandings in their limited time together.

For Ki, the long-suffering wife, things are falling apart—her remorseless husband wishes to walk out on her and her son. Unable to cope, her uncommunicative son chooses to tune out of his parent’s arguments. Ki feebly refuses divorce to keep the family intact, but her husband is already eagerly anticipating a new marriage with a baby coming on the way. Ki has her searing anger building up behind the façade of normalcy. On the verge of a breakdown with pleading fallen on deaf ears, she takes matters into her own hands.

For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

The traditional image of a father is full of masculine charm—strong, brave, and proud—with the male eagle as its symbol. In the post-modern understanding of gender roles, how has the totem animal of a father evolved? Joan returns to Hong Kong to play matchmaker for her father, who happens to be afflicted by a foot injury and is taken care of by the mysterious Kit. Moreover, her father keeps avoiding her matchmaking attempts, leading Joan to suspect that he and Kit are harbouring a secret from her. Award-winning stage actor Simon LO teams up with What If (2025) actors Ernesto DE SOUSA and NG Wing-sze in this magical realist short film about family. The director fills the film with animal symbolism, adding a touch of colour to the gender spectrum.

Delivery truck driver, Uncle Chuen, works hard every day to put food on the table. His only son, Chong, is only interested in photography. Uncle Chuen doesn’t like how Chong idles his days away doing nothing, and this is a frequent flashpoint between the two. One time during an argument, Uncle Chuen slapped Chong on the face, and Chong ran out of the house, but didn’t forsee that Chong would be hit unexpectedly by a car. Uncle Chuen and his wife rushed to the hospital, but there was no way to save him. The director of organ donation at the hospital found out that Chong had registered as an organ donor before he died. Although Uncle Chuen still could not accept his son’s death, he pushed through the pain to fulfil his son’s dying wish, to leave a gift to those still alive.

The first animated film featuring the characters of the Chinese comic series, "Old Master Q". Features comedic shenanigans and a cameo by "Bruce Lee".

Chow Kam Wing’s intricate, suspenseful neo-noir charts an unlikely bond between grizzled veteran Tai Bo and rising star Kuku So—he a mysterious rescuer, she a teenager running away from her mother’s abusive partner.

A food delivery man’s first shif t falls on the night of June 11, 2019. Ka-ho is new to his job and needs his son to navigate for him. The two ride on the same motorbike and try their best to deliver their orders. In a bar, Tyson spends the night attempting to figure something out. Under the blue sky, up on the highway, they are heading to the next destination.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

In their third animated adventure, Old Master Q meets an extraterrestrial at a theme park.

Lam Siu-ming cannot afford tuition and quitted school. His teacher Ms. Chui intercedes with the principal in vain. She quits. Chui became an orphanage director. She suffers from the orphans’ mischief, but she treats them with love and honesty instead of punishing them. She gets recognition from kids and colleagues. Siu-ming is expelled. He dares not go home and lives on pickpocketing with street boys. Chui learns that Siu-ming is missing and looks for him. Siu-ming feels ashamed and avoids her. Chui finds Siu-ming and takes him and the street boys to the orphanage, yet they cannot be disciplined and escape. Little Bully runs after them, but is beaten down on the railway. Siu-ming's legs are cut off by the train when he tries to save Little Bully. The escaped kids regret for this. Chui's cousin wants her to go abroad together, but at the farewell party, he is moved by the orphans, so he does not force the plan, and decides to stay behind to serve the kids.

The emotional journey of a 12-year-old boy who is forced to choose between the acceptance of his new friends, and a treasured gift given to him by his father.

Sarah, raised in New York, visits Malaysia for the first time and learns why her grandfather, Gen, and mother, Sophia, have not seen each other since she was born, and why they care so much about their cultural traditions.

A story of father and son, and a stray dog. Baseball kid Lam doesn’t get along with his father after his mom’s passing. He meets a stray dog named Tomato one day when he is practicing on the street. He takes the dog home and it soon becomes the connection between him and his estranged father. A traffic accident, however, takes Lam’s life. His father immerses himself into mourning for the loss of all beloved ones. With the help of the staff in heaven, Lam finally realizes how much his father loves him, and is given a final chance to show his love.

Pettonton goes to Hong Kong! Pettonton is a green mysterious space alien, discarded on Earth by an UFO. The story depicts how he became best friends with Negita, and various other experiences with other friends. Using mysterious items like the “friendship ring”, which grants wisdom to whoever holds it, or the “time stick” which can stop time, they overcome difficult situations.

Family pains and abdominal cramps—anyone can allow their body to endure the turbulent intrusion alone. After living in Norway for years, Ling brings her foreign boyfriend home to Hong Kong. The family reunion is seemingly harmonious yet unspoken rifts and resentment will be revealed through family therapy. Will it end in reconciliation or a split-up? Bobby YU Shuk-pui, winner of Best Director at the 17th Fresh Wave, brings her family’s story to the silver screen. With real-life family members appearing on screen, the film examines intergenerational conflict through the lens of the young. With scenes of conversational therapy shot like direct cinema and shifting between fiction and reality through switching aspect ratios, the film faithfully and naturally presents the emotional vortex among family members.

This is the first referendum held in Hong Kong and probably the last. Some people want to grasp the chance to directly participate in the democratic process. They try in various ways to push for greater democracy in society so that the people can become emancipated.

At the first glance, a crayon drawing appears the very portrait of a happy family, but a closer examination reveals that something is amiss. Lam Tsi-hei is the eldest son of a family that stares darts and hurls verbal abuse at each other, complete with sibling antagonism and resentment bred by thoughts and feelings left unexpressed. Directly a film on a subject fiercely personal and close to his heart, Tsi-hei digs up a crayon drawing from his boyhood. While cherishing the memories of an affectionate bond that skips a generation, he realises he must go hat-in-hand and repair his relationship with his estranged family.

The Shen couple had six children. For years Mr Shen had been the only one to support the family. One day, Mr Shen was on a crashed plane in Singapore and everyone believed he had died. Mrs Shen then went to Singapore to prepare for his funeral and the eldest daughter took charge of the family. However, the brothers and sisters would never listen to their eldest sister. The second brother was extremely bad-tempered and always beat the others up when they did not listen to him. The fourth sister was extremely gluttonous who would never help with any housework. The eldest sister was annoyed and could do nothing.

This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

Leaving music school, the happy-go-lucky Ling returns to Hong Kong to her dementia-stricken father, on whom she tries to conduct music therapy. Her demurer older sister Munn, the caretaker and sole supporter of the family, watches with disapproval. Playing the piano piece her father once taught her, Ling seems to register some change in her father’s condition, a glimmer of hope amidst the abyss of oblivion. However, secret animosity and rivalry eventually leads to open conflict between the two sisters, bringing out long-time family traumas. Will music save them?

The average person’s head has up to 100,000 hairs. Each strand may be unique in length and texture but they are said to bear our memories of sorrow and worry. Neighbors come to the old shop “Barber’s Time” to part with both their hair and bad memories. Although Cantonese style haircutting is on the slippery slope to extinction, barber shop owner Hoi-chuen wishes for his son Cheung-fat to manage the shop. Aspiring to be a writer like J. D. Salinger instead, Cheung-fat takes over “Barber’s Time” when his father had an accident. Just like his father, Cheung-fat develops rapport with the customers and provides guidance. His own life also turns around when a runaway girl comes to the shop. A magical heartwarming tale of community support and kindness, the short features Kaki Shum from the film “Weeds of Fire”.

The second Old Master Q film has him and friends go back in time to the days of the classic Chinese novel, "Water Margin".

Ten-year-old Kwong is a Primary 5 student who has to contend with "Internal assessment for Secondary Places" and parents who constantly argue. He is at a loss. His grandma, who lives alone, is always patient and happy to learn about his world. Grandma passes away suddenly, Kwong suffers from insomnia. At night, when he looks at the boundless sky, he feels secure, as if many friends are talking to him. He keeps all this to himself. To his parents, Kwong is just a naughty boy. They have no inkling that Kwong may be experiencing emotional problems.

A young man, Jian, travels from Hong Kong to Liuzhou in China to visit his aging father who runs a spicy noodles shop with his caregiver and occasional noodle cook, Ah Ping. She fears that Jian will eventually take over the eatery but is unaware that he can only taste sweet, sour and bitter flavours but not hot spicy chili peppers, a crucial ingredient in his father’s signature dish. When Jian reconnects with his childhood friend, now a striking woman working at the local market, their passionate encounter reawakens his senses restoring his ability to taste hot peppers.

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.

The city is no longer the same after the year of social unrest. How do those that remain make peace with the past and move on with their lives? After Nam’s good friend Man left the city, Nam is left behind to take care of Man's mother and motor bike, while struggling to live life as normal. A strange visitation one night by her grandfather brings Nam back to her ancestral village in mainland China, where she learns about her father’s painful past. Under the silent and long poetic gaze of the camera, the survivors of two generations, representing the past and the present, the country and the city, commiserate together in a shared moment of grief and solidarity.

During a skiing event, Gobie and BeBe get into a hazardous accident with serious injuries. BeBe is one of the twin beloved pet dragons of Gobie, and the other one is Kuma. Believing in the existence of Santa, Gobie thinks he can help him save BeBe's life. Therefore, Gobie decides to set off to Santaland with Kuma. W

THE SAGE HUNTER chronicles the real life adventures of the Taiwanese indigenous hero, Sakinu, a forest ranger who is determined to protect his family's and community's rich traditions. We take in the magnificent panorama of the lush forest in Eastern Taiwan with this motorcycle-clad hero as he was called upon by his tribe, to go to the city to halt the building of an expressway through their sacred land. Destiny plays its hand and the key official for the building project accepts, although begrudgingly, Sakinu's invitation to visit the tribal community. Sakinu hopes that once the officer experiences the beauty of nature and the bond his community shares, he will not pursue the plans for the freeway. THE SAGE HUNTER ensembles an exceptional cast of first-time Taiwanese indigenous actors, examines the importance of nature, spirituality and family, showing us simplicity and commitment to kin, which are often ignored in the fast-paced lives we live, are fundamental to our well-being.

Ng Ga Wai longs for the moment to meet her mom, they haven't seen each other for almost 10 years. However, Ah Mui - his loving mother, insists to not meet her son, she even gives instructions to others to obstruct her son's visit. In the meantime, a meantime, a memory that was meant to be forgotten appeared. He remembers what he did to his mother, and an unforgiving sin that leads Ah Mui to leave the family for almost 10 years...

One of Ann Hui's most admired works for the small screen, The Bridge examines a complex web of bureaucracy, vested interests, disillusionment and grass-roots campaigning. The title refers to a footbridge closed for demolition by the government, effectively cutting the main route to and from a roadside shantytown and triggering further local issues.

Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.

Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

Yin, a ten-years-old boy, grew up in a single parent family, gangs up with bad peers and spend most of his time in video game parlours. One day, Tin is egged on to take part in a theft, and event that will leave an indelible memory in the young delinquent's heart...

Single mother and autistic daughter Yan live together with endless fights because they never agree with each other. It is only through Yan's painting that her mother realizes her wish is just to grow up happily and healthily for both of them.

The Winter Solstice has been for the Chinese an important family occasion; however, will this time-honoured tradition become obsolete? The children head back to their family home in the country to see their elderly mother. All seems well on the surface, but each faces their own crisis and difficulty: The eldest brother struggles to raise several kids; the well off second sister plans to leave Hong Kong; estranged from her husband, the younger sister keeps up appearances; and the youngest brother commits to the difficult career as a farmer. The cheerful, animated conversation at the dinner table is overshadowed by simmering anxieties.

For years, he has neglected his family in Hong Kong to tend his business in Mainland China. Back in Hong Kong after his father's death, the man discovers his son's childhood diary. As he reads about his son's life with his father, the man realizes that he has let his son's childhood pass by him. Filled with regret for both his father and his son, the man decides to make an effort to mend his relationship with his son. However, is it already too little, too late?

In a society obsessed with economic development, the old and the young are often ignored. A young man from a rural area is hired to take care of an old man living on a farm. The old man stands firmly on keeping his home, while the young man works hard to make a life for him and his girlfriend. However, the two are met with the harshness of a society that's leaving them behind. In the end, they become victims to a fate they did not choose.

The conflicts between two generations, between the urban and the rural are intensively examined. When a grandfather and his grandchild experience loss concurrently, they realize the older generation’s protection of the ancestral land and the youth’s defense of the city are cut from the same cloth. Decades have passed, but the people of Hong Kong still do not have an answer for their rootlessness.

The Incredible family helps their powerless younger sister prepare for her first-grade admission interview, using telepathy to tackle the challenges. Unexpectedly, their efforts only make things worse.

In a small town, the funeral of a matriarch brings about the reunion of family members, many returning to the village after leading new lives elsewhere, some no longer speaking the language of the native land. With the passage of time, the big clan becomes fragmented as members, like other modern Chinese in mainland China, face changes in lives, ideals, and family structures. The occasion becomes a hot ground for deals and negotiations that are inevitable amid the rapid development of China, where family members prosper while relationships become calculated. Still, a funeral procession amid an impending storm requires them, already down different paths, to walk together.

A young woman reminisces on the life of her mother years after her untimely death. “Searching for Her,” is an intimate exploration, told through old photographs and home videos, of a daughter coming to terms with a person she hardly knew. “For some reason I forgot you had emotions,” says the daughter, filmmaker Natalie A. Chao, in a present day hypothetical letter to her mother, “your own style, friends, a love life.” Her reflections form a moving tribute, a poetic re-evaluation of family history, memories, culture, love.

Chiu, a lonely teenager, always feels disconnected from school and home. One day, she comes across a poor stray cat on the street and takes it home for a decent bath. Unfortunately, the cat dies at her home eventually. However, its death unexpectedly brings her the long-awaited attention she has longed for through social media, leaving her feeling content.

During 2020, when the pandemic policy loosened, a violinist went back to hometown in mainland China to meet his parents and his friends. A sudden accident happened, everything changed, and a ceremony is no longer a "ceremony".