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Immoral Tales

Four erotic tales from various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.

Immoral Tales

5.8 1974
The Awakening of Annie

The lovely orphan Annie is wandering St Tropez when she meets a mysterious photo-journalist, who convinces her to pose nude for him on the luscious beaches. Proud of her work as the photographer’s muse, Annie agrees to travel to Brazil with him to model nude. After her swarthy companion tries to force himself upon her, Annie flees into the arms of Hugo: another photographer, but one with a more gentle spirit. Hugo takes Annie on a fateful trip into the heart of the Amazon, where the danger and the passion heat up.

The Awakening of Annie

4.1 1976
Perverted Adolescence

Professor Mirella Buzzati, recovering from a failed relationship that ended with a divorce from her husband, travels to Perugia where she has obtained a mathematics teaching position at a high school. Her hatred of men, evident during the train ride and in her interactions with male colleagues who quickly flock to her, quickly yields to the attractiveness of Alain, a student nicknamed "the dark and handsome" by the high school girls. He already has a relationship with Giorgina, a fellow student of the same age and a fanatical militant of "Lotta Continua." In an effort to win over her idol, Mirella becomes unscrupulous in her teaching, preaches political and sexual revolution; she earns the headmaster's rebukes, and heaps scathing criticism on her rival Giorgina. After a stint in Paris with a lesbian colleague, the professor resumes her attack and obtains Alain's physical performance, but not her love: the boy understands her well and deeply despises her.

Perverted Adolescence

4.9 1974
Cookies

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.

Cookies

6.3 1975
Lancelot of the Lake

Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the king is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.

Lancelot of the Lake

6.2 1974
Laure

At an institute in Manila, researchers and eco-tourists trade stories about the Mara tribe, who live on a remote island and have an annual festival of rebirth in which some of the tribe forget who they are and begin again. Laure is the daughter of the institute's director; she's a free spirit who has captured the fancy of Nicola, a European photographer. After a courtship in which the voyeuristic Nick indulges Laure's exhibitionism and sexual freedom, they set off for Mara land with Gualtier, an anthropologist, and his philosophical lover, Myrte. As they approach the Mara on the night of rebirth, who of the group will actually join the tribe to begin life anew?

Laure

4.5 1976
The Lorry

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

The Lorry

6.4 1977
Private Collections

Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?

Private Collections

6.0 1979
One Wild Moment

Pierre, 44, contentedly divorced, takes his teen daughter to the Côte d'Azur along with his friend Jacques and Jacques' own teen daughter, Françoise. On the topless beaches of Saint-Tropez, Jacques and Pierre discuss marriage and being parents. Then, in a wild moment at a nighttime party, Françoise starts playing with Pierre, and one thing leads to another: they become lovers. After a couple of trysts, Pierre wants out, but Françoise declares her love for him and wants to tell her father about it. She does, but leaves out Pierre's name, so Jacques enlists Pierre's help in identifying who seduced his daughter. What will Pierre do?

One Wild Moment

6.1 1977