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The Blue Box

Pablo is a young, wealthy but solitary man traumatized by a fatal car accident. He meets Lara through a dating app tied to an exchange of the titular blue box. As their relationship grows, Lara draws Pablo out of his shell. But an anonymous warning alerts Pablo that Lara may not be all that she seems. What begins as an intimate connection gradually turns into a tense psychological game of cat and mouse, forcing Pablo to confront both his past and the true nature of the woman he is falling in love with.

The Blue Box

7.2 2026
Ídolos

A fiery young motorcycle racer throws away his shot at the junior championship in a reckless crash, only to receive a surprise offer from a top Moto2 team that gives him a chance at redemption. But to claim it, he must train under his estranged father, a disgraced former world champion haunted by a tragic past. As the father and son battle personal demons, media scrutiny, and a ruthless racing circuit, their fractured bond is pushed to the limit by ambition, love, and the unforgiving speed of the sport. With a wildcard entry into MotoGP on the line, they must confront the wreckage of their relationship to seize a future—on and off the track.

Ídolos

7.1 2026
Un jove escriptor

Set in a rural Catalan village during the Spanish Civil War, Un jove escriptor tells the story of a summer romance between two young people and reflects on the importance of art through writing. Bernat, a young writer, spends his days observing the people around him and writing in his notebook. One day, he meets Aliena, a girl who hates writing. Little by little, he shows her the beauty of writing, and together they experience an intense summer where a love as passionate as it is fleeting blossoms.

Un jove escriptor

NR 2026
The Dashed Lines

Bea is a 50 year old woman who is separating from her husband. The day she has to leave the house where she has lived for the last twenty years, she arrives at her house and finds everything upside down and one of the thieves sleeping in her bed. Denís is a 28-year-old trans man who, despite having studied a career, struggles with job insecurity and lack of opportunities. After spending three days together, each of them must continue on their own way. When they resume their lives, they are no longer the same.

The Dashed Lines

5.8 2026
Love on a Tightrope

In 1960s Spain, legendary trapecist Pinito del Oro hires young poet Natalia Sosa Ayala to help with her memoirs, sparking a profound emotional bond between them. Through historical events, intimate encounters, and decades of letters, their admiration, affection, and creative passion intertwine. The story moves between memory, desire, and imagination, showing how these two artists influence each other’s quests for freedom, artistic expression, and recognition. Rooted in real moments but told with a dreamlike, imaginative lens, it explores what might have been between them, revealing a tender, evocative tale of connection, longing, and the courage to defy societal constraints.

Love on a Tightrope

NR 2026
the great image has no form - notes on the creation of identifying symbols

Víctor is thinking about his friend Mario. Mario was a little nervous in the summer of 2024. He was falling in love with Sara, a girl he met on twitter around that time, and he's an overthinker... Everytime he started overthinking stuff, he went outside to find some calm and solace in nature. For years, Mario and Víctor have been talking about their concerns with the limitations and contradictions in the relationship between representation and identity. But lately, this conversation has tilted especially towards the problematics in the representation of landscapes and nature. They always try looking beyond the western capitalist framework to find new possibilities, forever in search of that formless great image. However, Mario's too in love to concentrate on these topics like he usually does... all he can think of is how much he wishes Sara was there with him: to look at that sunset together, to be together (in) that same space and time.

the great image has no form - notes on the creation of identifying symbols

NR 2026