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An August Weekend

Happily married to Thomas, her daughter just off to college, Katja teaches math and music at the local elementary school. Her life seems perfect. Until a chance encounter turns her world upside down. The very weekend her family is away, she meets Daniel, an attractive, inquisitive fellow, backpacking through Germany. A travel journalist, just passing through, he camps out on her lawn. They connect. She finds his independent, freewheeling lifestyle fascinating. He tells her of his journeys. He makes her feel alive, reawakens her youthful hopes and dreams. Now old regrets come rushing back. After three exciting days, she is faced with the decision: does she go with him, or does she stay in her own, safe little world?

An August Weekend

2.7 2019
We

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

We

4.8 1982
Madrid

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

Madrid

6.4 1987
The Wife He Neglected

A businessman marries Maria, the daughter of the rich professor, not for love but for personal gain. He betrays and humiliates her but she hides his despicable character from both her father and society at large and takes comfort in the company of a ship’s lieutenant. They fall in love but agree to interrupt their impossible relationship. Pregnant with her lover’s child, Maria decides to follow her heart and join him at sea but a series of dramatic events awaits them.

The Wife He Neglected

6.5 1918
Depuis le Jour

Derek Jarman's interpretation of the aria 'Depuis le jour' from the final act of Gustave Charpentier's opera Louise (1900) features Aimée Delamain as an aging opera singer taking her final bow and recalling a love affair from her youth. As the aria goes: 'Et je tremble délicieusement au souvenir charmant du premier jour d'amour! (And I tremble deliciously at the delightful memory of the first day of love!)' – Her reveries feature Tilda Swinton and Spencer Leigh wandering around the topiaries of Swinton's family garden and at various seaside locations. The film was made for Aria (1987), the portmanteau project of producer Don Boyd who invited ten directors to create short films set to operatic arias of their choice. The particular performance used in Depuis le jour is by esteemed African-American soprano Leontyne Price.

Depuis le Jour

NR 1987