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How to Make Love to a Woman

An animated look at the 11 essential steps to make the pilgrim's progess from finding a woman to making love to her. Along the way, our prototypical man gets advice about her eyes, her hair, her neck, her nostrils (and how they will flare as she becomes excited), the kiss, disrobing her (be subtle yet have authority), the hug, her nipples, and kinky accessories. At every turn, even as the exultant strains of Handel's Hallelujah Chorus signal that success is upon him, there are dangers and pitfalls. The journey requires steely resolve.

How to Make Love to a Woman

6.1 1996
Frameup

Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is hopelessly enamored; Ricky is just in it for the (constant) sex. Beth's longing to visit California and Ricky's longing for quick cash leads them into a desperate situation. Director Jost uses a variety of avant-garde visual and narrative techniques, such as montage, collages, split screens and lengthy, tongue-in-cheek monologues to tell the tragicomic story of two complete losers in love.

Frameup

6.2 1993
ฅนลูกทุ่ง

Kamoon (Panna Rittikrai) loves one of the village young lady called Nam Oi. One Bangkokian man is coming to the village hoping to get pure girls. The village lady is agressed by the two villagers. The Bangkok guy helped by two bodyguards including (Krissanapong Rachata) chases them away. The guy proposes a job to Nam Oi in Bangkok. The mother is reluctant but the father wishes to receive the money given as enticement. Finally Nam Oi accepts in order to support her older parents (ตอบแทนบุญคุณพ่อแม่). Panna is on the way to request Nam Oi’s hand through an engagement procession parade but the Bangkok man is taking her with him. Panna realises she is gone. Under a misunderstanding, Pana believes she goes willingly with the Bangkok guy as a boyfriend. He tries to stop them but gets heavily beaten by the two bodyguards. An old teacher takes pity on Kamoon and teaches him martial arts.

ฅนลูกทุ่ง

NR 1996
Beat

In the 1960s, Okinawa was under American military occupation. Young Takeshi leads a passive go-with-the-flow existence, working as a bartender at a bar called Sekai where his ex-girlfriend Michi also worked. When Takeshi launches a flare bomb during a military blackout, expressing his frustration with the American military as well as himself, he encounters a mysterious boy with no name. He undergoes various changes living with him, but then an event occurs which will destroy Takeshi's identity to the very roots.

Beat

8.0 1998
Kalyana Vaibhogam

Ramya and Shanthi are step-sisters. Ramya is arrogant while Shanthi is soft-spoken and sensitive. Sakthi is a writer and Shanthi is Sakthi's avid fan and sends him letters every week anonymously, she is in love with him. Sakthi really likes her letters,decides to meet her and he is eager to confess his love. Sakthi misunderstoods that the anonymous fan is Ramya. Later, Sakthi and Ramya fall in love with each other. By luck, Ramya becomes a model, and thereafter her popularity grows rapidly. Sakthi and Ramya decide to get married whereas the heartbroken Shanthi remained silent. The day of the wedding, Ramya runs away with dreams of being a cinema actress and Ramya asks him to wait for him. Feeling betrayed, Sakthi cannot accept it and he finally gets married with Shanthi. They live happily until Ramya comes back. What transpires later forms the crux of the story.

Kalyana Vaibhogam

NR 1997
The Mikado

In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Performed by the D'Oyly Carte Opera Company during the 1992 Anniversary Tour at the Buxton Opera House.

The Mikado

9.0 1992
Ramadhan dan Ramona

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.

Ramadhan dan Ramona

NR 1992