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Remembering You

Orphaned from a young age, Jeong Shik runs away from the orphanage in hopes of making money. He roams the streets but soon he is caught for stealing bread. He is saved by Seong Gyu who, taking pity on him, invites him to live with him and his friend Min Wook. The three friends are invited one day to Soo Mi's birthday party. Soo Mi is a friend of Hye Ryun who is Min Wook's girlfriend. But they are ridiculed and verbally abused by Soo Mi's elder brother and so they leave the party. Jeong Shik becomes convinced that money is the answer to all his troubles. Meanwhile, Min Wook vows to take revenge on Kang Cheol who stole Hye Ryun from him only to dump her immediately. But he is no match for Kang Cheol and becomes a casualty of his own rage.

Remembering You

NR 1996
Razones sentimentales

Mario, a young and uprooted Menorcan fisherman, falls in love with Irene, a Barcelona socialite who spends her holidays on the island with her young daughter. After the ambiguous initial relationship, victim of the rumors and slander, she decides to leave him. Mario, unable to resign himself, follows her to Barcelona, where he finds her imprisoned in a marriage lacking in love, in which her husband, a rich and powerful industrialist related to shady business, holds her under the threat of separating her from her daughter.

Razones sentimentales

7.0 1996
A Taxi for Aouzou

In this wonderful hybrid of fiction and documentary, we become the close companions of Ali Baba Nour, a Chadian cab driver who explains his hopes and dreams, his challenges in a difficult and often violent society, and his optimism for the baby he and his wife are expecting. In this urban poem, we are treated to the color and movement of Ali Baba Nour's city. It is a generous postcard that one might send to a friend, telling of an unforgettable acquaintance and place.

A Taxi for Aouzou

8.0 1994
Type Kita… Walang Kokontra!

Isabel Torres went to the Philippines to meet her Filipino penpal Primo. Primo, on the other hand, asked his cop cousin Victor to pretend to be him for he lacks enough confidence to woo his foreign lover. Victor, who is very much focused on doing his job perfectly, thoughtlessly granted his cousin’s request. However, as Victor gets to spend time with Isabel, he finds himself diverting his concerns in finding out if Isabel is the right woman for him. Isabel, on the other hand, couldn’t help but fall in love with Victor too. Primo got jealous with the blooming romance of his cousin and penpal, who is associated to Vernon, a drug lord who is plotting something against Victor.

Type Kita… Walang Kokontra!

6.5 1999
Creampuff

Creampuff is an intense and darkly romantic short film about Robert and Jack, two men snared between desperation and disgust and clinging to a destructive, dependent relationship as a last stand against despair and pain. As they prepare a birthday celebration for Jack's daughter, tensions escalate and the relationship strains to breaking point. When Jack's ex-wife, Suzanna, arrives without his daughter, Jack is devastated. Creampuff is an exploration of the craving for and power of intimacy and the grace of love beyond affliction.

Creampuff

8.5 1998
Nure jôzu: Hakui no mibôjin

Misayo, who works as a matron in the company's men's dormitory, is plagued by remorse for the death of her husband, who died in a fit of rage at her request. However, she was unable to wake up from the fire in her body and had relations with the young men in the dormitory. Furuyama, who lives in the dormitory, is fed up with Misayo's demands, and leaves the dormitory, leaving Arai, who has arrived from a branch office, to take over. Arai, who has been told not to disobey Misayo, leaves his body in her hands...

Nure jôzu: Hakui no mibôjin

2.0 1999
Carmen

A documentary about the wondrous passion of Carmen Martinek, who takes movie theaters as her lovers.Carmen does a little of everything at Vienna's Schikaneder cinema: She cleans and caresses it, and runs the projector. She strokes its seats and even sleeps there after long nights at the bar. It is, she admits, just like being with a person you couldnŽt live without. Anja Salomonowitz made a quiet little film about Carmen, observing her as she moves through the empty theater, as she puts in only brief appearances at home and immediately returns to the base station. After being forced to watch as her last theater was transformed into a supermarket, Carmen considers movie theaters to be erotic but also endangered environments.

Carmen

NR 1999