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Un Ángel de la Calle

Doña Margarita, a lady of high society, wants for her son Pablo a wife of the same social level. He, however, loves the dressmaker’s daughter, whom he secretly marries thanks to the services of a priest friend. The couple must continue fighting against the matron’s crooked plans, until in an unfortunate accident, Pablo kills his wife’s stepfather and must flee to Europe. Years pass, and Pablo is unaware that he has a son. When he finally returns, thanks to the child, he reunites with the love of his life and definitively puts an end to the perverse plans of his mother.

Un Ángel de la Calle

6.7 1967
Bulunmaz Uşak

Goksel is a butler at the mansion of the wealthy Mr. Kadri. As Mr. Kadri and his family go on a three-month trip to Europe, Goksel sends all the staff on vacation -except the cook and driver. Goksel introduces himself to the society as the landlord. In the meantime Fatma, daughter of a rich family doesn't accept her parents' intentions of having her married to someone she doesn't want and runs away from her home. She starts working at Goksel's residence as a maid. Goksel is dating with Aysel who is already engaged. Fatma has an affection for Goksel but he wants to have someone rich. Mr. Kadri returns from his trip earlier than expected and all the lies are revealed. Aysel leaves Goksel and Fatma confesses him her love. Goksel soon comes to know who Fatma really is. The lovers start a brilliant life together.

Bulunmaz Uşak

9.0 1963
Vana

A typical melodrama with a rich young man, Petros, who, as usual, falls in love with a poor girl, Vana, and naturally thinks of marrying her despite the objections of his family, who, as always, are opposed to such a possibility. And as if all that weren't enough, everything conspires against them and their life becomes unbearable. However, as usual, our two young lovers draw courage from their love and faith in life, and overcome all obstacles. The ending is happy and joyful, like a promising new year...

Vana

5.0 1965
Poverty

Kaiti's father decides to end Nikos' family and evicts them. Nikos and his mother rent a room in Anna's family's house. Together with Giovanna's band, in which he is a pianist, he will find himself in Thessaloniki where they have gone for various performances with his beloved, Lisa. Lisa will receive a message and will return hurriedly to Athens. There she will have an accident, will become disabled and will decide to disappear from Nikos' life. Upon returning, Nikos tries in vain to find her...

Poverty

7.0 1965
Galatalı Mustafa

Mustafa lost his mother and father on the same day. His father abandoned them for a dancer, and his mother committed suicide that day. The little boy was suddenly left all alone. His father was now an unforgivable criminal in his eyes. He would ask his father to account for the pain he had caused him with the gun he left behind as a memento. But there was no need for that. His grandfather tells Mustafa that his father is dead. In reality, his father had committed murder because of the woman he had abandoned his family for and had been sent to prison. Mustafa learns this truth twenty years later. His old anger is reignited. He goes to Istanbul to find his father. But he doesn't even know who he is looking for. The only thing he can cling to in the corrupt world he has fallen into is love.

Galatalı Mustafa

10.0 1967
The Lion City

Lion City (狮子城 in Chinese and “Bandar Raya Singapura” in Malay) tells the love story of Feng Ling, a rubber packer at a factory, and Shao Ming, who is the manager of the rubber factory. When Shao Ming learns that Feng Ling is the daughter of Cheong Ah Choy, he approaches Feng Ling and the two become friends and fall in love with each other. Their relationship goes through many challenges bringing them apart for some time but alas, fate brings them back together in the beautiful Lion City, with consent from their parents to get married. Lion City is the first Chinese film produced by Cathay-Keris in post-war Singapore. The film is highly valued today for its scenic panoramic shots of Singapore in the 1960s as well as references to the political conditions of the time. It is one of the few Chinese films shot from a Chinese perspective during a time when Malay films dominated the industry.

The Lion City

3.0 1960
Silahlı Paşazade

Murat Pasha is a police chief known for his harsh punishments. Yunus, a driver who is brought before him, has fallen in love with the pasha's servant. Although Yunus says he intends to marry her, he cannot escape being thrown into prison. Meanwhile, the servant woman Yunus is in love with is pregnant, and so she is also thrown into prison. Many people beg Murat Pasha to pardon the young couple, but to no avail. Moreover, those who intervene are also punished. Among those punished is the servant woman, whose revenge will be great.

Silahlı Paşazade

10.0 1967
The Proud

Shortly after the revolution of 1821, somewhere in rebellious Greece, Liakos Bournovas wants to marry Fotini, sister of the powerful Panagiotis Notaras. Notaras, in turn, wants Liakos' sister. When Fotini is captured by the bandit Captain Arvanitis, Liakos frees her. His pride makes him refuse the reward offered by Notaras. Notaras, equally proud, sends one of his subordinates to ask for Liakos' sister's hand in marriage. She commits suicide and Liakos swears revenge. In the ensuing conflict, Notaras is wounded and, before dying, admits his love for Liakos' sister, allowing him to marry Fotini.

The Proud

7.0 1962
Ayam Bela Hob

Two colleagues from Port Said meet each other during their studies. Nadia, the daughter of the wealthy Shaker, and Hosni, the engineer, the son of the poor fisherman, return to Port Said. Hosni's father suffers from the injustice imposed by the wealthy Shaker, Nadi's father. Hosni helps his father stand up to Shaker. Nadia offers Hosni a job in her father's fleet, but he refuses. Nadia decides to run away with Hosni and get married in Cairo. However, her father's men catch her and threaten to kill Hosni if ​​he does not stay away from Nadia.

Ayam Bela Hob

10.0 1962
Chinese Checkers

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Chinese Checkers

4.5 1965
For Honor and for Love

Reserve Second Lieutenant Christos Kladis is absent without leave from his unit when he learns that his girlfriend has become engaged to someone else. At the court martial, he refuses to explain himself and is sentenced to dismissal from the army and two years' imprisonment. His father, a retired officer, disowns him. After his release from prison, Christos changes his name and leaves to work as a sailor on ships under the name Grigoris Staridis. When war is declared, he returns to Greece and fights on the front lines.

For Honor and for Love

7.0 1969
Erkeklik Öldü mü Atıf Bey ?

Orhan makes money by cheating at the casino run by Feyyaz. He is sentenced to two years in prison for fraud. While in prison, he decides not to get involved in illegal activities again. After his release from prison, the prisoners collect money among themselves and give it to Orhan to run a coffee shop owned by one of the prisoners. Atıf, who runs entertainment venues in the neighborhood where the café is located, does not welcome Orhan as a competitor. On the other hand, Feyyaz is trying to convince Orhan to work for him again.

Erkeklik Öldü mü Atıf Bey ?

9.0 1962