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Permata Di-Perlimbahan

Fatima lives with her mother, working with her as a seamstress. Disappointed by her mother’s gambling addiction, she decides to work as a singer at a nightclub. There, Fatima meets Abdullah, a businessman whose wife, Endon, constantly mocks and humiliates him. Abdullah soon falls in love with Fatima and they begin an affair. However, Abdullah’s colleague is also smitten with her, and when Endon finds out about her husband’s relationship, she plots with his colleague to expose the affair. It is the first Malay film helmed by a Singaporean Malay under the Malay Film Productions, Shaw Brothers. Made in 1952, the musical drama witnesses an abusive relationship that results in an extra marital affair.

Permata Di-Perlimbahan

NR 1952
Lisa, Tosca of Athens

Lisa (Xenia Kalogeropoulou) runs away from her father at the Athens airport because she does not want to marry a rich man from Paris whom her father has chosen for her. She hitchhikes to the city, where she meets Giorgos (Kostas Kakkavas) a handsome driver. Then, she runs away from him as well and tries to find her mother’s brother (Iordanis), whom she has never seen before. Her father publishes her photo in the newspapers and offers a reward of one hundred thousand drachmas to anyone who finds her. Lisa is now afraid that everyone can identify her, and so, in order to hide, she mingles with a group of tourists. However, she is unaware that her uncle is their guide. Giorgos has followed her in order to find out the reason she left him so suddenly, takes her in his car one more time, and they spend the night together.

Lisa, Tosca of Athens

5.6 1959
The Resentful Woman Returns

As the wealthy Ha Mung Shan nears death, he asks his son, Chung Ping, to marry his fiancée, Ng Yuk Keng. However, Yuk Keng loves Chung Ping’s brother, Bo Ming. To avoid upsetting his father, Chung Ping pretends that a singer, Su Qiu, is Yuk Keng and brings her home. Meanwhile, Yuk Keng’s aunt, Xing Hong, covets her father’s inheritance and attempts to kill Su Qiu, framing Chung Ping. Su Qiu survives, cared for by the Fu family. Later, Xing Hong kills Yuk Keng to live with Bo Ming, but he refuses. Taking the inheritance, Xing Hong stays with the Fu family and regrets her actions. Ha Mung Shan then arranges a new marriage for Chung Ping. Su Qiu, seeking revenge, disguises herself as a ghost on the wedding night, exposing the truth. Bo Ming confronts Chung Ping, and Xing Hong confesses her guilt. Mung Shan realizes Bo Ming is his son, and Chung Ping reunites with Su Qiu, leading to a happy ending.

The Resentful Woman Returns

NR 1952
The Lost Youth

A man named Jin-gu, fleeing Seoul after accidentally committing murder while defending himself, is torn between escaping with his lover, Jeong-ae, and his growing entanglement in a criminal conspiracy. After a series of dangerous encounters and close calls with the police, Jin-gu desperately seeks Jeong-ae, only to find her being tailed by detectives. As their attempts to reunite are continuously thwarted, Jin-gu's journey reflects not only his personal guilt but also the tragic fate of those, like Jeong-ae, caught in circumstances beyond their control. In the end, Jin-gu faces the consequences of his actions, while Jeong-ae silently endures the weight of their doomed love.

The Lost Youth

10.0 1957
Arzu ile Kamber

Arzu ile Kamber, another film shot by Lütfi Ömer Akad alongside Tahir ile Zühre in Iraq, is one of Akad's attempts at fairy-tale historical films. In folk literature, the story of Arzu ile Kamber, like those of Tahir ile Zühre, Leyla ile Mecnun, and Ferhat ile Şirin, is a tragic love story passed down from generation to generation, so heartbreaking that it inspired elegies to be written in their names. Arzu ile Kamber, the first film adaptation of this story about the love between Kamber, the son of a merchant, and Arzu, the daughter of a subaşı, is a fairy-tale-like story that recounts the past.Arzu ile Kamber, one of two films shot by Lütfi Ömer Akad in Iraq over a period of six months with a large crew, is another of Akad's "failed but useful experiments," like Tahir ile Zühre.

Arzu ile Kamber

7.0 1952