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Bitter Sweet

The first film adaptation, and most faithful, of Noel Coward's 1929 operetta Bitter Sweet. This tells the story of Sarah Linden's romance, the tale begins with Sarah, now older, reminiscing about her first love. As a young girl Sarah falls in love with Carl, a musician, and runs off with him to Vienna. They are happily wed and Carl earns a living conducting a small orchestra. Enter a certain Captain who sets his eye on Sarah and proceeds to shower her with his attentions, much to her dismay.

Bitter Sweet

7.0 1933
Tesha

The luminous Maria Corda stars as the eponymous Tesha, a celebrated Russian dancer who marries an Englishman (Thomas). The couple long for a child but after five years of happy marriage, remain childless. On a trip to Southampton Tesha succumbs to a brief fling with a stranger (Cavanagh), unleashing a barrage of unforeseen consequences and emotional turmoil. The superb cinematography is by the great German cinematographer Werner Brandes who worked on dozens of prestige British productions in the 1920s. Originally shot silent, sound was added in 1929.

Tesha

9.0 1928
Fated

When the charismatic and eccentric art teacher Tatty falls in love with Amy, one of his students, he believes he has met the love of his life. Unfortunately Amy dies in an accident. Distraught and blaming himself, Tatty loses all focus on his own life and drinks heavily. In a state of delirium he creates a statue of Amy that he places in the dark interior of a haunted, burnt-out church. Tatty lives there, protecting his creation, and devoted to her for the next 13 years. On New Year s Eve, a magical night with the sky lit with fireworks, a clubhouse burns. Cal is on the run and takes refuge in the church and accidentally breaks the statue. The magic of the night and the mystery of the church combine to cast a spell and Amy comes alive. However, in order to remain alive, Amy must kiss the first man she sees.

Fated

7.5 2006
Radio Parade of 1935

One of the first screen outings for Will Hay. Hay plays the Director General of the National Broadcasting Group (NBG) who hides away in his office unaware that the general feeling about his programming is that it is too high-brow and the public are not happy. However, when he discovers this he decides to take action and promotes Jimmy, his Head of the Complaints Department, to Programme Director. Jimmy decides that a series of variety spectaculars are what the public want and sets about hiring the acts. But obstacles are put in his way and he discovers that the NBG has its own cluster of wannabe variety stars.

Radio Parade of 1935

6.3 1934
Get Cracking

Get Cracking is a 1943 British comedy war film, directed by Marcel Varnel and starring Dinah Sheridan, Ronald Shiner and George Formby. It was produced by Marcel Varnel, Ben Henry and Columbia (British) Productions. This comedy explores the wayward rivalry between mechanic and Home Guard Lance Corporal George Singleton (George Formby) and an adversary also in the Home Guard (Ronald Shiner). When the rival Home Guard units of Major Wallop and Minor Wallop are sent on battle manoeuvres, George Singleton (Formby) launches his own unique style of commando raid against neighbouring Major Wallop to steal a Vickers machine gun. The raid fails and Singleton loses his Lance Corporal's stripe, so he and a little evacuee girl named Irene (Vera Frances) decide to fall back on 'Plan B' - to build their very own tank.

Get Cracking

6.3 1943
The Sleeping Beauty

Tchaikovsky's The Sleeping Beauty is one of the best loved of classical ballets, combining in a single work all the enchantment and virtuosity that ballet has to offer. The royal court, the panoramic journey of the Prince to the overgrown castle, and the great celebratory dances of the happy ending (in which other famous fairy-tale figures appear) are all brought to life by the luscious designs of this celebrated production, created in 1946 for The Royal Ballet. The inspired performances of its revival for the 75th anniversary of the Company in 2006, together with a magnificent High Definition recording, make this a superb tribute to The Royal Ballet's unique style and visual splendour.

The Sleeping Beauty

6.2 2006
Prison Without Bars

Suzanne, Renee, Nina and Marta all hate being in prison, being slapped and treated badly, and so all the girls are trying to escape. Madame Appel just causes chaos all the time, with her harsh manners. When Yvonne with her free-thinking ways is put in charge of the school for misbehaving girls, and asks them to tell her their complaints, they don't believe her at first. Yvonne is in love and about to marry the establishment's doctor, and it does not help that one teenage girl falls for him - and is corresponded. It's a hard life for the girls, and for the new female warden.

Prison Without Bars

7.5 1938
The Rocking Horse

A chance love affair between a teddy boy and a painter, set in early 1960's London. This was a student film made with the assistance of a BFI grant and its influences include the British Free Cinema movement, John Cassavetes' Shadows (1959) and, for the love scene, Alain Resnais's Hiroshima Mon Amour (France, 1959). The film's young hero is a cross between James Dean's troubled teenager in Rebel Without a Cause (US, 1955) and Albert Finney's defiant mechanic in Saturday Night and Sunday Morning (d. Karel Reisz, 1960). Initially portrayed as a self-assured, arrogant and immature teenager, his chance meeting with a pretty, sophisticated middle-class artist reveals a more insecure, fragile side. The climactic love-making scene earned Scott the first X certificate given to an amateur filmmaker. This short film is an extra on the BFI Flipside DVD The Pleasure Girls.

The Rocking Horse

5.0 1962
Trouble Will Find Us

Tess is an ambitious lawyer with a bright future. Henry is a charismatic artist whose career is in decline. Despite their obvious differences, a chance encounter leads to Tess and Henry falling for each other. What follows are periods of joy and romance as we are granted intimate access to the couple’s journey together. Soon the obstacles of life begin to surface and Tess and Henry are forced to endure a wind of change. Realising that love is about compromise and commitment, how far are both willing to go in order to save their relationship?

Trouble Will Find Us

8.0 2020