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The Last Lie

Samir is a singer living happily with his jealous wife Samira. However, His ex-girlfriend Kiki wants to relive their relationship again, but he refuses because he is afraid of Samira's violent reaction. Kiki seeks the help of an Indian Maharaja and asks him to force Samir to attend her birthday party, he then sends his men to do the job. Samir feels intimidated during the celebration and accidently breaks Kiki's pearl necklace which she borrowed from the Maharaja. He promises her to fix it and puts it in his pocket, but becomes drunk and loses consciousness.

The Last Lie

6.0 1950
Wedlock House: An Intercourse

We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed.

Wedlock House: An Intercourse

5.5 1959
The Beauty and the Dumb

Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

The Beauty and the Dumb

NR 1954
The Final Truth

Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.

The Final Truth

7.0 1955
Dumagit

A story of the boy Dumagit who grows up in the jungle with his guardian and animal friends. Dr. Joaquin Olivar and his pregnant wife Marina hide in a remote island after Olivar was accused of a crime and Marina feared being ostracized. Marina dies after giving birth to a baby boy, David. Olivar takes care of the baby on his own and gives him the nickname Dumagit. Later, Olivar is killed by a group of men who came into the island to hunt animals. Twenty years later, Federico Olivar, brother of Joaquin Olivar, comes to the island to look for his brother. This film is the Philippine version of Tarzan.

Dumagit

9.0 1954
Tell No One

The film's events revolve around the singer Farid, who is in love with one of the dancers, who decides to travel on an artistic tour. He proposes to her to marry her after she returns from the travel, but he falls under psychological pressure that forces him to marry another girl who also works as a singer. After the dancer returns from the travel, she discovers something... Her lover's marriage, so she leaves him, but later she discovers that things are not as they seem, and that the singer's uncle loves the dancer and wants to marry her.

Tell No One

8.0 1952
Uli der Knecht

The film traces Uli's progress from his humble peasant surroundings to the homes of the wealthy and prominent. The characterizations are convincing, and the comic interludes surprisingly subtle and believable for a Swiss film. The no-star cast doomed Uli Der Knecht from the start so far as American distribution was concerned. It was another matter in Switzerland, where the film was one of the year's top moneymakers. Uli der Knecht was based on a novel by Jeremias Gottbelf.

Uli der Knecht

6.3 1954