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The Agony

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

The Agony

7.8 1976
Black Goddess

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Black Goddess

10.0 1978
Call Me from Afar

Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.

Call Me from Afar

6.3 1978
First Garrison

This is a story about a young second lieutenant Janković who, after graduating from the Military Academy, comes to the unit for his first officer's duty. The film follows the period of his adjustment, getting to know the collective, establishing the first meetings with soldiers and elders, the city and the environment in which he lives. Crises and dilemmas were quickly overcome. The collective accepted the young officer thanks to his knowledge, skill and ability to establish real human relations. This is actually the first and introductory story from the series about the life of an officer.

First Garrison

7.0 1976
The Venus Tear Diamond

Legendary jewel thieves "Nocturnal Earl" (Ling Yun) and "Fragrant Night" (Lily Ho) are set on a collision course for destiny when both arrive in Japan to get their hands on the famous "Venus Tear Diamond." But sparks fly between the jewel thieves and the two fall instantly in love, without knowing that their beloved is after the very jewel each is seeking! To make matters worse, the diamond is in the possession of a randy widow who has her eye on the debonair male thief, and there's even a mystery man interested in the widow, too. Who's going to get the Venus Tear Diamond, and will it mean the end to a perfect love?

The Venus Tear Diamond

10.0 1971
Evlat

The film tells the story of a woman who is forced to choose between love and gratitude. Şeref has been longing for a child for years. However, he loses his wife and child during childbirth. On the same day, he is involved in an accident. He will never be able to become a father again. He tries to compensate for his loss by helping those around him. He also plays a key role in Yusuf and Ayşe's engagement. Yusuf sets off with his team to a mine in the mountains for a research project. The wedding is to take place upon his return. Ayşe, who is waiting for Yusuf to return from the mountains, is shaken by great sorrow. Her fiancé and his team have been buried under an avalanche. Fate has taken an unexpected turn for them.

Evlat

NR 1972
Jaani Dushman

Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, be is so enraged at he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple).

Jaani Dushman

6.7 1979
The Sugar Daddies

During the day, Hu Tien lives as a respectable office employee, but when night falls, he unashamedly plunges headlong into an exciting world of lust and sex as a high-class Hong Kong pimp! Thanks to his uncanny knack for setting up prostitutes with "sugar daddies," Hu Tien starts living the high life. Things take an even more dramatic turn when the drop-dead gorgeous Irene (Betty Pei Ti from The Delinquent and Intimate Confessions of a Chinese Courtesan) enters the fray. Thanks to Hu Tien's involvement, this rough and tumble new vixen soon finds herself being the center of attention among all the wealthy sugar daddies. But is his relationship with Irene merely business or is there more to it?

The Sugar Daddies

4.9 1973