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The Court Concert

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

The Court Concert

5.5 1936
Ein Sommer in Südfrankreich

After the death of uncle Olivier, his estate, a small chateau in Provence and the small town's only undertaker firm in its cellar, befall equally and jointly to his local stepson André Vidal, who runs the business since Olivier semi-retired ill, and German cousin, business consultant Charlotte. She arrives from Frankfort to sell the estate at the skyrocketing prices for such idyllic hospitality industry sites. André is shocked, determined to preserve the town's social fabric by preserving Olivier's heritage, and disappointed she doesn't even recognize him as childhood best playmate. It turns out the backward taxes are a ticking bomb, which she sneakily intends to ignite, only André's charms and the lavender-scented bucolic way of life appeal ever more even to businesslike Charlotte.

Ein Sommer in Südfrankreich

4.5 2016
Suddenly Gina

Laurens works for the German Minister of Finance and is an extremely correct and conscientious person. He knows his way around numbers, but less so with women. One day he meets Gina, a single young woman. She is sitting alone at one of the tables and Laurens forces himself to sit with her. Hesitantly, a first conversation develops between them. This is the beginning of a seemingly impossible love story that not only throws Laurens' life into turmoil. Laurens is secretary to the German finance minister. Over breakfast, he approaches the attractive Gina and invites her to accompany him to the G8 summit. There, Gina realizes that she doesn't fit into the world of politicians and business bosses. She is the only one to say what she thinks - and causes quite a stir. Laurens has to choose between his career and the love of his life.

Suddenly Gina

7.5 2007
The Beachcombers

Divided by the stunning and vast expanse of water that is London’s River Thames, a young pair of shy beachcombers are united by their fixation with metal detecting in search of rare antiquities. They soon strike up a sweet and unique connection across the water and build up a language of signs and signals with which they are able communicate daily. But when one of the pair stumbles across a chance discovery, it gives them the ideal opportunity to finally cross over the river.

The Beachcombers

NR 2008
Hours of Light

September 1987. In a shootout with police, Juan Jose Garfia makes a triple murder. Sentenced to more than one hundred years, is a rebel prisoner, clever and elusive that it has nothing to lose and nobody to worry about. In 1991, manages to escape from a police van jumping up. Stopped after two months of robberies and shootings, Garfia leads several prison riots, against which the authorities takes as a measure subjecting prisoners to a more contentious special isolation regime. Garfia, the prisoner with the highest IQ, avoiding drugs, which seems immune to punishment, and lives two years without seeing anyone, held in a tiny cell and subjected to continuous harassment. There he meets Marimar, a nurse I can barely speak, but between both of a current of mutual understanding.

Hours of Light

4.9 2004
1999 Madeleine

1999 Madeleine is the first step in an ambitious project by the French filmmaker Laurent Bouhnik to make one film per year between 1999-2009, recounting the turn of the century in an interweaving narrative pattern. Episode one is about Madeline, a lonely woman obsessed by religion and cleanliness. Her solitary existence leads her to place an advertisement for a man willing to share his life with a 'single, working 35-year-old.' She is a woman of our times who is caught between the paradoxes of modern life and individual needs for communication. The world offers her opportunities to satisfy material needs but, unfortunately, this is to the detriment of her spiritual needs.

1999 Madeleine

6.0 1999