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The noble and beloved policeman Ramash, thanks to whom peace and order reign in the city of Khurmada, joins the fight against the cunning, greedy bandit Shamar. Shamar, raised by foster parents, arranges a series of crimes in the city, and Ramash stands up for Khurmada. During the active confrontation, it turns out that Ramash and Shamar are brothers separated in childhood. The brothers' investigation leads them to the trail of the culprit of the great fire that claimed the lives of Ramash and Shamar's parents. They turn out to be Khurmada's main patron and patron, Sandurlai, with whom they have to fight.

Underground dancers — Alice, Arseny, Stepan, Timur, Kirill, Lyosha and Kristina — are engaged in free creativity. They dream of getting recognition, but staying true to themselves. One day they get a chance to turn the game around: take part in a big documentary project and a TV show. Everyone will have to answer the question of why they dance — for the sake of popularity or at the call of their hearts.

Early 20th century, Paris. Mr. X, a mysterious circus performer never seen without a mask, stirs hearts and stirs rumors in Parisian society. The beautiful Theodora, a young, wealthy widow, is the envy of all high society. To win the heart of this brilliant socialite, circus talent alone is not enough. And does her love really matter to someone who has chosen solitude and decided to hide their face forever behind a mask?

Thirty years after the story of the band Ruki Vverkh! began, Sergey Zhukov together with his children revisits memories of his youth: his first love, his first big dreams, friendship, family, and the journey to the stage.

The main protagonists of this slow-paced film are abandoned or suspended spaces associated with the production, distribution, and viewing of cinema in various localities across North Ossetia. The discussion of the decline of the film industry also serves as a way of pointing to the ambiguous position in which the progressive modernist project found itself in the late twentieth and early twenty-first centuries. Ignatov proposes poetic ways of establishing new relations with this project in response to the need to reinvent the links between past and future. The abandoned spaces are brought to life by two visiting musicians playing the uadynz, traditional Ossetian flutes.

At 30, Oleg and Seryoga still dream of becoming rock stars. They play in a little-known band, live in a communal apartment, and are preparing for an important performance at a local festival. On the eve of the concert, they are unexpectedly approached by Oleg's uncle, a 50-year-old man with mental disabilities, whom the boys cannot leave unattended, not even for a minute.

Based on a story by H.C. Andersen, with new magical heroes, terrifying “woodpunk” robot dogs, real puppet theater, songs & dance numbers. Little Hans, a kind itinerant storyteller, opens his magic box, takes out his puppets, and, together with his spectators, creates a new fairytale. But not every character obeys the puppet master’s strings. The truth of the fairytale breaks everyday rules: here loyalty and friendship make miracles; love destroys the strongest magic spells; and a song wins a war!