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Through dance and movement improvisation, "Non lasciarmi" explores the metaphorical reaction of humanity when it realizes that its love story with Nature has irrevocably come to an end.

As per tradition, the 2021/22 season opened in December at La Scala in Milan, this time with a new production of Giuseppe Verdi's 'Macbeth' directed by Davide Livermore and conducted by Riccardo Chailly. Verdi's Shakespeare drama features a star-studded cast: Anna Netrebko and Luca Salsi embody the regicide Macbeth and his lady.

The pianist Simone Soldati – who has devoted much of his attention over the years to the music of Luigi Boccherini – and the Quartetto della Scala (Francesco Manara and Daniele Pascoletti, violins; Simonide Braconi, viola; Massimo Polidori, cello) perform two of the Lucca-born composer’s quintets for piano and strings.

Inaugural concert of the new Auditorium of the MMF Theater, conducted by Zubin Mehta, MMF Choir and Orchestra. Program: Giacomo Puccini - Messa di Gloria for soloists, choir, and orchestra, Choir Master Lorenzo Fratini, Freddie De Tommaso tenor, Mattia Olivieri baritone; Ludwig van Beethoven - Symphony No. 7.

Relatives of a recently deceased wealthy man enlist the help of a wise man to help them inherit the dead man's properties.

With “Opera in the Embassy,” a bridge between France and Italy, a new opera season begins. French and Italian arias will be performed by young artists from the Fabbrica-Teatro dell'Opera di Roma and the Académie-Opéra national de Paris in an exceptional concert at Palazzo Farnese and the Hôtel de la Rochefoucauld-Doudeauville.

Ezio Bosso reveals his real self and takes us into his world and his imagination, as if were a diary.

A documentary about the Italian singer Ben.

From the Carlo Felice Theater in Genoa, the double bill featuring Francesco Filidei’s “Sull’essere angeli,” choreographed by Virgilio Sieni, and Ruggero Leoncavallo’s “Pagliacci,” directed by Cristian Taraborrelli. Orchestra, Chorus, Children’s Chorus, and technical staff of the Carlo Felice Theater; conducted by Andriy Yurkevych.

George Frideric Handel was one of those rare composers who excelled in both sacred, secular, instrumental and operatic music, leaving us extraordinary masterpieces in every field. Already renowned in Italy, Handel introduced himself to the city of London with his opera Rinaldo in 1711, which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades, Rinaldo is a lavish spectacle that tells a story of love, magic, struggles for power and ultimate reconciliation. Pier Luigi Pizzi’s acclaimed production brings us into a ‘dreamlike, unreal … world of spells and incantations’ (Epoca). Cast:- Armida: Carmela Remigio, Goffredo: Leonardo Cortellazzi, Almirena: Francesca Aspromonte, Rinaldo: Raffaele Pe, Argante: Andrea Patucelli

From the Teatro dell'Opera di Roma, the world premiere of “Julius Caesar” with music by Giorgio Battistelli. Orchestra and chorus of the Teatro dell'Opera di Roma, conducted by Daniele Gatti, directed by Robert Carsen.

From Orvieto Cathedral, the Orchestra and Choir of the Maggio Musicale Fiorentino conducted by Zubin Mehta, featuring Eva Mei (soprano), Francesca Cucuzza (mezzo-soprano), Valentino Buzza (tenor) and Emiliano Cordaro (bass). Choirmaster: Lorenzo Fratini. Mozart’s Symphony No. 40, K. 550, Coronation Mass, K. 137, and Ave Verum Corpus, K. 618.

Nic, also called "Lovely Boy", is the rising star of the roman suburbs. Tattoos and pure talent, he creates the XXG with his friend Borneo, a music duo that is headed straight to the top. Nic is then sucked into a spiral of self-destruction, which will lead him to a breaking point: he will soon have to deal with himself.

In 2021, the Accademia Nazionale di Santa Cecilia marked a new beginning following the closures caused by the health emergency, with a packed programme of concerts and events, often described as a moment of ‘opening’ and hope, and sometimes referred to as the ‘Overture’.

From the Rai “Arturo Toscanini” Auditorium, pianist Vadym Kholodenko performs, for his debut with the Rai Orchestra, Sergei Rachmaninoff’s Piano Concerto No. 3 in D minor, perhaps the most complex and demanding of the Russian composer’s four concertos. Conducting is Uzbek maestro Aziz Shokhakimov, who presents the final version, from 1947, of the famous ballet Petrushka, on the occasion of the fiftieth anniversary of Igor Stravinsky’s death.

From the Rai ‘Arturo Toscanini’ Auditorium comes the debut concert of Franco-German cellist Nicolas Altstaedt with the Rai Orchestra, performing the Jewish rhapsody for cello and orchestra *Schelomo*, one of Ernest Bloch’s best-known works. Tomáš Netopil takes to the podium and, to open the programme, presents the Rai premiere in Turin of the Overture from the third act of the opera Bouře (The Tempest), written in 1895 by the composer Zdeněk Fibich and based on Shakespeare’s play. The evening concludes with Antonín Dvořák’s Symphony No. 8 in G major, Op. 88, composed in 1889 in Prague and known as the ‘English’ Symphony.

On June 4, 2021, the renowned Dutch organist Ton Koopman gave a concert at the Basilica of San Bernardino, performing on the organ built by Feliciano Fedeli (1726) of the Marche region, which had recently been restored by Riccardo Lorenzini. The instrument had sustained significant damage in the 2009 earthquake.

The extraordinary life of Carla Fracci, the greatest Italian ballerina of all time, told from her first steps at the Accademia del Teatro alla Scala in Milan to the stages of the most prestigious international theaters, passing through the controversial choices, difficult sacrifices, and important satisfactions that marked her rise. Freely inspired by the autobiography “Passo dopo passo – La mia storia” (Step by Step – My Story).

The life and times of Italian music legend Renato Carosone.

The history of italo disco, a musical genre that conquered the world during the incredible eighties, the most cybernetic decade; a style that was not just another kind of dance-pop music, but also the origin of an aesthetic, a true social phenomenon and the creative center of a very profitable industry.

A concert to celebrate Maestro Muti's 80th birthday, conducting the Vienna Philharmonic Orchestra from the podium of La Scala in Milan.

The third instalment of ‘Senato&Cultura’ in 2021 features a tribute to sacred music. The programme is presented by Paola Perego, with the participation of the Cappella Ludovicea Choir and Orchestra, conducted by Maestro Ildebrando Mura.

A journey of musical and personal discovery through Beethoven’s Symphony No. 2, Op. 36, in Liszt’s transcription for solo piano. The Mascagni Conservatory of Livorno in all its facets, along with the city itself, featuring Filippo Tenisci as Virgil! A musical Livorno with an international flair.

A total opera-concert based on songs from the album In questa storia che è la mia (In this story that is mine), recorded in 2021 at the Teatro dell'Opera with words and music by Claudio Baglioni, under the artistic direction of Giuliano Peparini, television direction by Luigi Antonini, and featuring the artistic ensembles of the Teatro dell'Opera.

first part of the documentary on the tenth anniversary of "Il ragazzo d'oro", by rapper Gué Pequeno.

The film tells Caselli’s story in her own words, as the artist herself shares anecdotes and reflections on her life and career. What emerges is a portrait of a woman who has made her great passion—music—her entire life.

From the Archiginnasio Library in Bologna, a cultural journey celebrating Paolo Fresu's 60th birthday. Accompanying him will be the Alborada String Quartet, pianist Dino Rubino, bandoneon player Daniele di Bonaventura, and double bassist Marco Bardoscia, who will bring the story to life with the assistance of Alessandro Bergonzoni's voice.

From the Rai “Arturo Toscanini” Auditorium, Russian pianist Alexander Melnikov, together with the Rai Orchestra's principal trumpet Roberto Rossi, performs Dmitri Shostakovich's Concerto in C minor for Piano, Trumpet, and Strings, Op. 26. Conducting is James Feddeck, who opens and closes the concert with two works by Felix Mendelssohn-Bartholdy: the Overture from the Concerto in B minor, Op. 26, “The Hebrides,” and Symphony No. 3 in A minor, Op. 56, known as the “Scottish.”

A story of the city told through images and music, performed by the orchestra and choir of the Teatro la Fenice, with narration by Alessio Boni.

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

Between the late 17th and early 18th centuries, some of the greatest bass singers on the European stage emerged in Naples, among whom Antonio Manna stands out. The pages chronicling his vocal career reflect a virtuosity that fits perfectly into the operatic landscape of that era, when the symbiosis between performer and composer was absolute.

"A group of jazz musicians come to a recording studio to play a jam session together. Their improvisation is matched to the rhythm of a tape of freely available footage from security cameras around the world. People and animals, city and nature, joys and tragedies. In conjunction with music, the videos are stripped of their original surveillance function and become vague, abstract, liberated images." -Ji.hlava IDFF 2021

In 2006 one of the most iconic mixtape sagas in the history of Italian rap made its appearance to teach Italy what rap was. 15 years later " Fastlife " returns to the scene, because it is necessary to remember that lesson with a new vigor.

A tangle of stories in which aspirations and yearnings for freedom on the part of the white-collar worker are intertwined with those of Cristiano's personal and musical life in a discourse on our contemporary world.

Five years of work, a one-hour movie, two zines with more than a hundred coloured pages. Hand screen-printed cover, 350 numbered copies. These are the numbers of URAGANO NEGLI OCCHI, a true story (self)built in the sweaty and smoky corners of the illegal Milan of occupations and hardcore punk concerts. Dozens of voices, interviews, flyers, illustrations and photographs describe a heterogeneous community of individuals, squats and collectives that in recent years has experienced an explosion of vitality, moving with enthusiasm and determination in the contradictions of the metropolitan city of Milan, affirming an unprecedented approach to Do It Yourself practices. An entirely self-produced narrative and visual project, conceived, developed and finalized in our spare time, with a lot of unexpected events in between.

From Rome's Parco della Musica auditorium, the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia perform: A Tribute to the Melodramas of Bellini and Donizetti.

A meaningful journey into the Italian cultural heritage throughout musical quotes from Giacomo Puccini’s Tosca, lithographies by Giovan Battista Piranesi and lines by Pier Paolo Pasolini. Dreamland will bring the audience to some of the most beautiful Italian UNESCO sites: Villa d’Este and Villa Adriana in Tivoli, the historic centre of Rome with the Roman Forum, the Colosseum, Piazza Navona, Castel Sant’Angelo and much more. Passing through the depths of the Tiber, it will arrive also in the most peripheral areas of the city to find out still so much beauty and so many stories about the contemporaneity in a visual and musical journey so evocative as to reveal the Italian cultural identity.

The Italian Association for Music Day presents the national event featuring a concert by Edoardo Bennato, the ambassador for Music Day 2021. With an expanded line-up for the occasion, Bennato will blend the various facets of the show, performing pieces that combine symphonic counterpoints with rock – his best-known musical style.

"L'impresario delle Canarie" is a satirical opera intermezzo libretto attributed to Pietro Metastasio, written in 1724 to be performed between the acts of his opera seria "Didone abbandonata". Dorina, an opera singer, waits impatiently for the visit of a foreign impresario, Nibbio.

The adventures of the captain and the damsel unfold amid disguises and dances, romantic schemes and flirtations, leading to a happy ending. In the original play, the composer himself guides the audience through the story of his life.

Images like notes on a diary.