Discover Movies

42 Matches Found

Verdi: Macbeth

After winning in battle, Commander Macbeth receives a prophesy that he will one day become King of Scotland. Influenced by the whisperings of his wife, he literally stops at nothing to fulfil the prophesy. But racked by guilt, the Macbeths soon sink into delusions and become victims of their own thirst for power. Anna Netrebko reprises her electrifying portrayal of Lady Macbeth opposite Plácido Domingo at the Berlin State Opera. Maestro Daniel Barenboim leads the opera icons along with the Staatsopernchor and Staatskapelle Berlin.

Verdi: Macbeth

NR 2019
Generazione Diabolika

The story of the most famous party of the 2000s. The story, still unpublished, which starts from the mid 90s and the Muccassassina where Queen Vladimir Luxuria discovered the talent of Emanuele Inglese. The testimony of those who made great an event that then became a true phenomenon of costume. Over the course of one night we retrace the fundamental stages of this story, just a few days after the death of Lou Bellucci, historic vocalist who passed away on September 15, 2017.

Generazione Diabolika

5.3 2019
Aida: Grand Théâtre de Genève

British director Phelim McDermott offers the audience a new take on the culture of the people of Ancient Egypt in Aida, one that allows us also to question the world in which we live. This new perspective entails a number of bold creative choices that do not make use of the traditional staging imagery associated with Aida. Aida’s command to Radames — “Ritorna vincitor!” — comes at a price. The triumphal march of the victorious Egyptians is a procession for the coffins of the heroes fallen in battle, the chorus are their grieving kinsfolk. McDermott’s staging resonates keenly with the images of so many civilian and military funerals that crowd our newsfeeds. Here is a triumphal march that does not seek to hide the true, lethal and disastrous nature of war, whatever side you are on.

Aida: Grand Théâtre de Genève

NR 2019
I've Won I've Lost

Alberto, Giampiero and Sergio are just three kids when in 1982 they founded the punk-rock band KINA, in the small mountain town of Aosta, Italy. From then to 1997, they became one of the leading groups of the Italian and European independent music scene, carrying on a rigorous musical and existential path, based on the concepts of self-production and self-management, recording a dozen of fundamental records in the history of international hardcore punk. These are years of endless travel across Europe on a shabby van, sharing the alternative life experiences and the battles that animate the anarchist and antagonist movement: the struggle for home and for social spaces; the anti-militarism cause; the refusal of nuclear power; the anti-fascist resistance.

I've Won I've Lost

NR 2019