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Musician Max Tooney goes to sell his prized Conn trumpet to a music shop, where he plays the instrument one last time. The shopkeeper recognises the song as one on a record matrix he found and asks who the piece is by. Tooney tells the story of an infant found abandoned in the first class dining room of the four-stacker ocean-liner SS Virginian on 1 January 1900. Danny Boodman, a coal-man from the boiler room, names the boy Danny Boodman T. D. Lemon 1900, after himself, the fruit crate the boy was found in, and the year, and raises him as his own.

A funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Legendary "devil violinist" Niccolo Paganini sets all of 19th century Europe into frenzy.

Giuseppe Verdi's opera of religion, revenge and redemption gets the star treatment in this 1993 Metropolitan Opera production conducted by James Levine and starring Plácido Domingo as the cuckolded man of God at the center of the tale. Sharon Sweet sings the role of Domingo's adulteress wife and Vladimir Chernov plays the vengeful father in this rarely staged gem directed by Giancarlo del Monaco and filmed by Brian Large.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro's bride to be, under the nose of the Countess.

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Live performance from the Metropolitan Opera, 27 February, 1996.

Two rival dancers from disparate cultures battle it out under the mirrored ball in this low-budget feature.

Released in 1999, the album, featuring music composed in traditional Christian styles, is not only Bocelli's most commercially successful classical album to date with over 5 million copies sold, but also the biggest selling classical album by a solo artist in history.

A love story cloaked in gypsy magic. Angel is a famous rock star. An idol for millions of teenagers who copy her "look" and adopt her language. She has everything a girl could wish for with the exception of a true love. Suddenly, her whole life crumbles; she is blackmailed with some videos where she is seen making love with Francisco, a gypsy boy he met on the island of Ibiza. Francisco, who is in love with Angel, admits that he had been paid to seduce her, but he did not know he had hidden cameras in the room. To prove his love, he decides to personally undertake the investigation leading him to unveil a surprising ending.

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

April 24, 1993: it's the last broadcast of Radiofreccia, an independent radio station closing after 18 years, barely one minute before coming of age. Bruno, one of its founders, begins to tell its story, the story of a group of friends—especially troubled Freccia's—and a period of their youth in their small hometown.

A timeless tale told in a florid bel canto style, Rossini’s take on the Cinderella story offers an ideal propellant for a virtuosic mezzo-soprano to rocket from rags to riches. But in this retelling, the supporting characters soar just as high: Cinderella’s Prince, her stepfather, and the Prince’s valet are given memorable arias, and the composer rounds out his score with ingenious ensemble flourishes. A vivacious masterpiece, La Cenerentola brings stock fairy tale characters to dazzling life.

Recorded during a 1992/3 world tour.

Gigi, an orphan boy adopted by Mario Merola, works as a clerk in a clothing store but cultivates within himself the dream of becoming a famous singer. Gigi is in love with the girlfriend of his employer.

Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.

The story revolves around a Sicilian rebellion against the French, fueled by themes of oppression, freedom, and the personal costs of conflict. The opera explores a love triangle, a troubled father-son relationship, and culminates in a bloody uprising during a wedding celebration.

Live from La Scala 1991

Nirvana at Teatro Castello, Rome, Italy Drain You Aneurysm School Floyd the Barber Smells Like Teen Spirit About a Girl Polly Lithium Sliver Come as You Are Breed Been a Son Negative Creep On a Plain Blew Sifting Rape Me Spank Thru Territorial Pissings

Muddy Waters peforms in various taped clips during his later years as an elder statesman of the Chicago Blues.

Based on a narrative poem by Sir Walter Scott and set against the backdrop of feudal Scotland, "La Donna del Lago" is one of Gioacchini Rossini's finest operas -- yet it's rarely performed. This video gives viewers a rare opportunity to see the work in its entirety. Filmed at Italy's famed Teatro alla Scala in 1992 and staged by German film director Werner Herzog, the opera features vocalists Ricardo Muti and June Anderson in leading roles.

A group of friends usually meet at Jolly Blue, a bar that is a point of reference for all young people in the area. But when their meeting place is about to be closed, they work hard to ensure this doesn't happen and confide in the bartender.

Pantera at Aeroporto di Reggio Emilia, Reggio nell'Emilia, Italy Fucking Hostile Mouth for War Domination [with Hollow outro] Rise This Love Cowboys From Hell

Live from La Scala Sunday 03 February 1991

Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

The director resumes at the theater Laura Berti who reads the most beautiful lyrics of Pier Paolo Pasolini, giving with his hands, voice and words, rhythm and unity to the work.

From the Giovanni Agnelli Auditorium in Turin: Ralph Vaughan Williams’ Symphony No. 5 in D major, performed by the RAI National Symphony Orchestra under the baton of Jeffrey Tate.

The life of legendary opera composer Gioacchino Rossini is recounted in this documentary, which examines how the author of "The Barber of Seville" opted to give up composing for the life of a performer at the age of 37. Using historical context, the film follows Rossini's life from his early years up to the height of his career, and includes a variety of excerpts from both his popular and his lesser-known works.

From the Auditorium in Turin, Anton Bruckner’s Symphony No. 9 in D minor. Conductor: Carlo Maria Giulini. RAI National Symphony Orchestra.

From the Basilica of Superga in Turin, a symphonic concert conducted by Claudio Scimone. W. A. Mozart, Kyrie in D minor, K. 341, for mixed choir and orchestra. G. F. Handel, Concerto No. 16 in F major, HWV 305a, for organ and orchestra. J. S. Bach, Cantata BWV 76 for soloists, mixed choir and orchestra.