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Somewhat crazy semi-documentary by director Joe D'Amato is a strange series of Burlesque performances from around the globe. Actress and dancer Amanda Lear hosts these mostly musical numbers designed to get people on stage.

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

An orchestra assembles for a rehearsal in an ancient chapel under the inquisitive eyes of a TV documentary crew, but an uprising breaks out.

Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.

The lives of two local professional dancers change suddenly as American soldiers stop in their town hoping to be entertained in accordance with the Broadway style. Effectively, they perform up to their expectations. However, as the army men have to march northward, their moment of glory finishes heartlessly.

Live performance, part of Monteverdi cycle staged by Oper Zürich with Nikolaus Harnoncourt conducting the Zürich Opera House Monteverdi Ensemble. Staged and directed by Jean-Pierre Ponnelle

A teenager from a working-class neighborhood in Milan is passionate about motorbikes and dancing.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

In a dystopian Venice, humble fisherman Felice finds out his deceased wife isn't actually dead, having faked her suicide to disappear from his life. Only, now she's back, and wants their daughter too!

Ernesto is a young Italian Jew of the early 1900s who works in his uncle's factory in Trieste. Not entirely secure with his sexual orientation, Ernesto enters into an affair with one of his uncle's employees.

Al Bano and Romina bring to the big screen the unhappy love between the composer Franz Schubert and the Hungarian Countess Anna Rostkov. Al Bano sings the immortal 'Ave Maria'.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

A very visual and profound dramatization of the various sections of Carmina Burana, a symphonic piece composed by Carl Orff about medieval poetry by an anonymous author.

The United States of America, after the great success of Vietnam, Watergate and so on, have decided to expand their activities in Italy. Mr. Chips has chosen Eddie Mordace to open the Italian branch of the multinational American Love Company. So Eddie opens in Milan a small branch of the Company whose purpose is to comfort women. Eddie hires Simbad, Adone and later, when business starts to go well, Ugolino, a real Count, and Ivanoe, a raper, who becames the attraction of the House.

Pop singer Renato Zero is threatened by an anonimous letter while on tour and goes on a phycoanalitic quest to find the wannabe killer.

Misadventures of a mother (Carmen Scarpitta) and a her daugther (Martine Brochard)

Passionate rock'n roll dancer, Rodolfo has his partner Ornella as a partner. Frozen by the frivolous behavior of the boy, however, the young girl no longer wants to learn to dance with him. Finally, when Rodolfo had lost all hope of replacing it, Ornella, who has meanwhile accepted the court of a ballroom impresario, returns to her decision.

A pair of twins, Anna and Tony, leave their country to go to Rome to make their fortune. Anna knows how to sing and Tony knows how to dance. They suffer many setbacks, but they are willing to go the distance in order to succeed.

An Italo-American singer and as he arrives at the airport he is accused of being a draft dodger and is drafted. He soon begins a love story with his commander's daughter.

Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2), and the Castel Sant'Angelo (Act 3).

An English singer thinks his Italian wife has cheated on him and goes back to England. He is then involved in drug trafficking and ends up in jail. Luckily enough after a while the real culprit is revealed and he can go back to Italy and his wife.

Italian rockstar Geppo has to learn English in order to perform with Barbra Streisand in the US, but falls in love with his beautiful female tutor, Gilda.

Amateur songwriter falls in love with a Sicilian girl, but her father has already promised her to another.

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

A rock band called "The Trip" want to get to Montecarlo to take part in a festival. Due to a series of circumstances however they end up in the place they set about the journey from: Rome. There is a music festival on at The Terme of Caracalla and they sing there.

Daniel, a young singer, tries to break into the world of music, but falls into a depressive crisis from which it only comes out thanks to a girl, Elisa, who has fallen in love with him.

Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.

A young man tries to take his first steps in the world of song. He meets a beautiful girl he falls in love with, but her noble aunt is opposed to their relationship in every way

Naked women dancing and performing to the music of Paganini.

A young and talented dancer with aspirations of becoming a movie star soon finds himself exploited by a screenwriter friend looking for ways to fund his expensive drug addiction.

Gloria Fontanesi is a girl who works as a factory worker but carries within her a great passion: dancing! Success comes one night, when due to a delay by Renato Zero, the stage is finally hers.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

Mina live at a concert on September 16, 1972, at the Bussola nightclub in Tuscany.

In 1979, while doing his military service, Giancarlo Soldi made his directorial debut with this short film. The Super 8 camera for the short was provided by Paolo Gioli, a multimedia artist, to whom he had been the sole assistant for two years. The film was seized by the Carabinieri under the pretext of showing weapons protected by military secrecy until 2024.

Abbado wholly vindicates Verdi’s intentions through his feeling for the shape of a whole scene, for the inherent subtleties of Verdi’s scoring and for certain rhythmic effects.

A stop-motion musical film with plasticine figures; a satire on relentless over-civilization.