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Rossini: L'italiana in Algeri

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

Rossini: L'italiana in Algeri

NR 1957
Paris Casino

Catherine Miller's triumph at the Casino de Paris leads fashionable playwright Alexandre Gordi to ask her to create his next play. Flattered, Catherine moves into Gordi's villa near Cannes, escorted by her entire family. Only Jacques Merval, Gordi's secretary, disagrees. This is understandable, as it is he who writes the plays that Gordi, rather tired, simply signs. Jacques is a one-man band in every sense of the word, allying himself with the Casino manager to bring Catherine back to her music-hall successes. Despite a few clouds, and thanks to Gordi's generous intervention, he succeeds. Wasn't his only thought the happiness of the woman he loves?

Paris Casino

6.4 1957
Joan of Arc at the Stake

Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.

Joan of Arc at the Stake

5.6 1954
Carmela è una bambola

The daughter of a former Neapolitan gangster, Carmela has a law degree and is set to marry an aristocrat, as her father wishes. However, she suffers from a strange form of sleepwalking: at night, she goes to the room of Totò, a young man she is completely indifferent to and who is also her father's enemy. After consulting a doctor to find out the reason for this embarrassing anomaly, Carmela realises that Totò is actually the man she is unconsciously in love with.

Carmela è una bambola

6.6 1958
Don Giovanni

DON GIOVANNI, a young, arrogant, sexually promiscuous nobleman, abuses and outrages everyone else in the cast, until he encounters something he cannot kill, beat up, dodge, or outwit. This legendary production starring Cesare Siepi in the title role with Wilhelm Furtwängler conducting was filmed in Salzburg’s open-air Felsenreitschule theatre during the 1954 Salzburg Festival. Although the production is clearly dated, it remains a must-see for lovers of the opera, both as a historical document of a vintage, all-star production and simply as an excellent way to experience Mozart’s masterpiece.

Don Giovanni

8.0 1955
Perfide.... ma belle

Michele, a young mechanic, is in love with Angela Antonia, beautiful but capricious: the girl's father, once he learns of the relationship, has him fired from the place where he works and is forced to move to Naples. He asks for hospitality from his aunt Carmela, concierge in a building, but she has no vacancies and arranges him as Donna Tecla, the owner of a pension who, having three young daughters eager to get married, hopes to arrange at least one. But the three girls are not the best of beauty and Michele, gifted with a beautiful voice, agrees to sing in a club on behalf of an impresario who becomes his friend.

Perfide.... ma belle

10.0 1958