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Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.
Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.
Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. The film examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.
Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.
Documentary profile of musician and producer Quincy Jones
A portrait of pianist Alfred Brendel performing and analysing Franz Schubert's final three sonatas.
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.
Three music students decide to create a science-fiction musical.
Téléphone is a great success story in French rock: 300,000 albums sold in 1979. The group was born on December 16, 1976, at a surprise concert at the American Center in Paris. Four instrumentalists, four self-taught, four musicians untroubled by the successive waves of fashions from across the Atlantic and the Channel: Jean-Louis Aubert, singer and songwriter; Louis Bertignac, guitarist; Richard Kolinka, drummer; Corinne Marienneau, bassist. From titles: “Métro c'est trop”, “La bombe humaine”, “Crache ton venin”... Portraits and interviews, trances and crowd-pleasers at the Palais des Sports and the Fete de l'Humanité, a look behind the scenes. Jean-Marie Périer, with seven cameras in hand, now captures the phenomenon in a feature-length film. Camera movements, editing on a giant triple screen and Dolby Stereo sound all serve to highlight the quartet's harmony and vitality.
Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three.
A former singer, who was drafted and fought in the Algeria war, is demobilized and wants to make a come back, which is not easy when you've been gone for twenty-seven months; meanwhile, his kid brother falls in love with his music teacher and is involved in very bad things .Arrested, he is released thanks to the teacher's evidence who provides him with an alibi before leaving him for good.
At the roots of reggae, in Jamaica, close-up on the group Third World. Portraits of the musicians in their daily lives and the cultural context from which they draw their artistic inspiration.
A grotesque, frenetic and musical short film from Jérome Lefdup, Dominik Barbier, and Larry Flash.
When Peter, Margaux's American writer husband, leaves Paris in a funk and heads home, she finds herself the single parent of two near teens. She also gets a new assignment at work: to find, sign, and promote new rock singers. She discovers a duo, Jeremy and Michel, and jump-starts their music careers. Jeremy is attracted to the older Margaux, asserts himself with her, befriends her children, and neglects Michel and their music. The kids go to New York to be with their father Peter, freeing Margaux to respond to Jeremy. Does that relationship have any future? And what of the musical duo?
Celebrate Christmas with Disney and discover its European influences.
In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.
Mikhail Baryshnikov and Zizi Jeanmaire sizzle in this ballet set to the music and story of Carmen.
Billy Ze Kick is name of a fictional serial killer in a bedtime story that a police inspector reads to his daughter. Soon three girls turn up murdered in his neighbourhood, and the killer leaves a note signed "Billy Ze Kick."
The Paris Opera Ballet's 1988 revised version of Rudolf Nureyev's 1963 production of The Nutcracker.
A young rock singer, Morgan, falls in love with the pretty Julie. But Dimitri, Julie's "ex", doesn't see it that way.
Tribute to Walt Disney's animated feature, Bambi. The video was the singer's favourite at the time, and was her sole one in sepia tone. It was broadcast for the first time in the television show Top 50 on Canal+ a few weeks after the single release. The scene of the drowning, shot in the same pond and with almost the same team as that for "Plus grandir", was very difficult to film because the singer was then afraid of the water. Farmer said in an interview that the sobriety of the clip was well suited to this song.
In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.
All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.
In the heart of the Russian plains, in a castle, a cruel Tsarina summons her faithful servant, a Monk, to get news of the Kingdom.
Rock star Billy Jackson is found dead with a bullet in his head, a death classified as suicide. His brother Tom leaves the United States to come to Paris to investigate Billy's former relatives.
The vicissitudes of showbiz take the hero Renart (Gerald Battiaz) and his wife Hermeline (Francoise Dupertuis) from up to down and back again in this brief drama. Renart entertains at a nightclub by pulling objects out of a suitcase on stage and creating a wide range of sound effects with his collection of odds and ends. All goes well until his wife is fired from her job at the club because she is pregnant. That infuriates Renart, and he quits. The couple then take off for the mountains and open up a club of their own, but now when he is the owner, Renart is transformed for the worse.
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
The action takes place in the middle of the 18th century in France. A young woman and the man prepared to enter into a duel with pistols, in the presence of woman in the red. Libertine kills a person and flees on a white horse, while the woman in red is threatening revenge.
Video clip of Renaud's song.
In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.
Documentary about the eclectic Japanese composer Ryuichi Sakamoto during the recording sessions for his 1984 album "Illustrated Musical Encyclopedia".
Based, in part, on Shakespeare's The Merry Wives of Windsor, Falstaff is Verdi's last work for the stage - and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito.
Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.
In the early 19th century, in Seville and the surrounding area, Carmen seduces the sergeant Don José, who deserts the army to be with her. But the beautiful gypsy falls in love with the bullfighter Escamillo, much to Don José’s despair.
In a house half devastated by a cataclysm, men and women take inventory of the sonic rubble of their memory during a musical ceremony.
A movie presentation of a concert filmed in Australia on the Eurythmics 1987 'Revenge' tour.
Venice. March 1735. The carnival is in full swing Everybody's happy mood and the lively streets are filled with musicians, mimes, clowns and acrobats of pickpockets who practice their craft each, displaying a colorful rainbow and sounds. At every corner, there is something going on that should not be missed - especially if it's something forbidden. However, some people are concerned about something else. One is Carlo Goldoni young lawyer of 27 years, he dreams only theater and he thinks only the part that wants to ride. Alas, the money was also hard to find at that time than now. His two friends, Antonio Vivaldi and Gian Battista Tiepolo are better known than him but they are also looking for this rare bird: a patron, who was not on ONLY the desire but also the means to sponsor a work of art.
Peter Brooks' adaptation of Carmen by Mérimée and Bizet.
In 1981, in Grenoble, Mickey, Bertrand, Frédéric, Charles, Louise, and Aimée—brought together by a shared desire to make music—are the members of a band called the “Why Notes.” During a wedding ceremony in a church where Charles is playing the harmonium for the occasion, Bertrand, who has come to join him, notices the groom interrupting the ceremony and running away. A few hours later, just as the band is about to leave for a concert in Paris at the high school they attended, Bertrand runs into Clara, who suggests they run away together and then disappears... Bertrand, completely captivated by Clara, leaves the band and sets off in search of her... in Paris.
A famous rock singer is being overtaken. Vox, the album and live producer of the singer, prepares a real revolution with the help of a scientist. With holography, they would like to create the perfect copy of the star.
Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime.
The romanticized life of Dorothée summarized in various sketches and songs.
A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.
The film takes the form of a documentary report in which the director Claire Denis follows Les Têtes Brulées, a group of five musicians from Yaoundé in Cameroon, as they tour France.
Erotic version of the well-known novel "Carmen" of Merimee with the use of the music from the opera of the same name from Georges Bizet. Carmen is a beautiful Gipsy girl and attracks many different men who start to fight for her love.