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A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

In London, eccentric piano instructor Madame Sousatzka takes on a new prize protégé, Manek, a teenage Bengali immigrant who displays incredible talent. Manek forms a close bond with his teacher, but soon discovers that she expects her pupils to become disciplined in all areas of life, and not just behind the piano. As he struggles to meet the challenges, Manek must also deal with his mother, who vies with his teacher for his attention.

Sir Alec Guiness stars with Leo McKern in the story of a friendship between a Catholic priest and a Communist Mayor. Together they travel from their remote village to Madrid and back exploring their friendship, the demands of belief and constancy of faith. This lavish production filmed entirely on location captures the wit, warmth, and vitality that make the original novel by Graham Greene a unique work of literature.

Luciano Pavarotti brings his spectacular voice and artistry to one of the most famous of all tenor roles—Manrico, the ardent troubadour, trapped in an impossible situation by forces beyond his control. The sensational Dolora Zajick, only days after her Met debut, gives an incandescent performance as the demented gypsy Azucena, thirsting for revenge against Count Di Luna (Sherrill Milnes). Eva Marton is the passionate Leonora, desired by both Manrico and the Count, and James Levine brilliantly leads the Met’s orchestra and chorus in some of Verdi’s best-known music.

Mildred is one of the young girls at a prestigious witch academy. She can't seem to do anything right and is picked on by classmates and teachers. The headmistress of the school, Miss Cackle, has an evil twin sister who plans to destroy the school. Can Mildred foil the plan before the Grand Wizard comes to the Academy for a Halloween celebration you'll never forget?!!

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

In 19th century London, a young girl falls for a womanizing criminal and they decide to wed. Her family strongly disapproves so her father, 'the king of thieves', gets the gangster arrested.

In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. The film examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.

Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.

Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.

Documentary profile of musician and producer Quincy Jones

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Donizetti's opera as film.

Live from La Scala Wednesday 14 December 1988.

Pet Shop Boys Chris Lowe and Neil Tennant embark upon a journey across England - but which England? Is it the half-remembered England of their childhoods, or the brutal reality of Mrs Thatcher's late-eighties England? Along the way they come across many familiar (and sinister) faces. The movie also features some of the Pet Shop Boys' most popular records.

When a 13-year-old girl befriends a defiant antisocial child of the streets, the mismatched runaways set off to the Big Apple to find their own adventure.

A portrait of pianist Alfred Brendel performing and analysing Franz Schubert's final three sonatas.

A documentary crew films heavy metal band Bad News as they have trouble starting their van, pick up a schoolgirl groupie, and meet up with rock journalist Sally at a motorway service station where they argue about the cost of sausage and chips.

The story is set in southern Italy and recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. Although Leoncavallo's opera was originally set in the late 1860's, Zeffirelli's production is updated to the period between World War I and World War II.

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

A feisty 18-year-old Italian-American New Yorker named Cindy is sent off to Rome with her irascible stepmother and vain stepsisters. On the way, she meets and falls in love with, globetrotting bagpacker Mizio, who eventually turns out to be of Italian nobility. There's a fairy stand-in in the form of a spaced-out astrologer, a dance, and she even loses a shoe at one point. Care to venture a guess how it all turns out?

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.

Three music students decide to create a science-fiction musical.

Téléphone is a great success story in French rock: 300,000 albums sold in 1979. The group was born on December 16, 1976, at a surprise concert at the American Center in Paris. Four instrumentalists, four self-taught, four musicians untroubled by the successive waves of fashions from across the Atlantic and the Channel: Jean-Louis Aubert, singer and songwriter; Louis Bertignac, guitarist; Richard Kolinka, drummer; Corinne Marienneau, bassist. From titles: “Métro c'est trop”, “La bombe humaine”, “Crache ton venin”... Portraits and interviews, trances and crowd-pleasers at the Palais des Sports and the Fete de l'Humanité, a look behind the scenes. Jean-Marie Périer, with seven cameras in hand, now captures the phenomenon in a feature-length film. Camera movements, editing on a giant triple screen and Dolby Stereo sound all serve to highlight the quartet's harmony and vitality.

BBC documentary. Witness John Williams composing the legendary score for The Empire Strikes Back and conducting the London Symphony Orchestra.

Andrew Lloyd Webber's Song & Dance is a love story told in two acts. In the first, entitled "Tell Me On A Sunday," a young woman details her love affairs through Song. In the second, entitled "Variations," a young man illustrates his relationship and commitment issues through Dance. This performance was recorded at London's Palace Theatre on April 28, 1984.

The villagers of Ploverleigh are celebrating the marriage of Alexis, son of Sir Marmaduke Poindextre, to Aline, daughter of Lady Sangazure, who just happens to be Sir Marmaduke's old flame. Alexis is determined that all shall share the purity of his true love. He has arranged for Mr. Wells, "a dealer in magic and spells," to administer his best-selling love potion to everyone in the village, including the vicar Dr. Daly. The result is hilarious confusion.

In the future, around Tottenham and Hackney, taxi driver Smiley comes to the assistance of the beautiful Dominique Renoir, who's on the run from her violent Mafia boyfriend.

This biopic tells how the pop-rock group Hombres G was formed amidst rivalries, pranks and love affairs, with the musicians themselves as the protagonists.

A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...

“Cantons Aztecas” are provocative and mystical poems written by an Aztec prince more than 900 years ago. Set to music composed and conducted by Lalo Schifrin, it features Placido Domingo as principal soloist, a 100-piece orchestra, a 120-piece choir and four soloist. Recorded live at the Pyramid of the Moon of Teotihuacan and sung in the original languages of the Aztecs nahuatl, Cantos Aztecas is a thrilling experience. Personnel includes: Placido Domingo (vocals); Lalo Schifrin (conductor); Marsha Felix, Conchita Julian, Nikita Storojev (vocals); Mexico Philharmonic Orchestra & Chorus.

In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.

Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three.

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

Candide falls in love with the beautiful but materialistic Cunegonde. Her barron father doesn't approve of the affair so Candide wanders, meeting all the misfortunes along the way.

A longform video that showcases the British pop group ABC, using songs from their album "The Lexicon of Love" to tell a spy-caper story of how the unsuspecting lead singer, Martin Fry, is duped into fronting the band because of his striking resemblance to another man associated with espionage. Will he stumble onto the deception before it is too late for him?

A former singer, who was drafted and fought in the Algeria war, is demobilized and wants to make a come back, which is not easy when you've been gone for twenty-seven months; meanwhile, his kid brother falls in love with his music teacher and is involved in very bad things .Arrested, he is released thanks to the teacher's evidence who provides him with an alibi before leaving him for good.

At the roots of reggae, in Jamaica, close-up on the group Third World. Portraits of the musicians in their daily lives and the cultural context from which they draw their artistic inspiration.

A grotesque, frenetic and musical short film from Jérome Lefdup, Dominik Barbier, and Larry Flash.

Animated video to accompany the record of the same name, released under the pseudonym of Suzy and the Red Stripes, but in reality Wings' with Linda on lead vocals.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

When Peter, Margaux's American writer husband, leaves Paris in a funk and heads home, she finds herself the single parent of two near teens. She also gets a new assignment at work: to find, sign, and promote new rock singers. She discovers a duo, Jeremy and Michel, and jump-starts their music careers. Jeremy is attracted to the older Margaux, asserts himself with her, befriends her children, and neglects Michel and their music. The kids go to New York to be with their father Peter, freeing Margaux to respond to Jeremy. Does that relationship have any future? And what of the musical duo?

Celebrate Christmas with Disney and discover its European influences.