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La Bohème

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

La Bohème

10.0 1977
Renaissance Live BBC Sight And Sound

Featuring musicians Annie Haslam, Michael Dunford, Jon Camp, John Tout, and Terry Sullivan, this classic lineup of progressive rock band Renaissance performs songs from albums Ashes are Burning, Turn of the Cards, Scheherazade and Other Stories, and Novella, including "Carpet of the Sun", "Mother Russia", and "Can You Hear Me?" in a stripped-down rock band arrangement, at the Golders Green Hippodrome, London, for the BBC Two series, Sight and Sound In Concert.

Renaissance Live BBC Sight And Sound

9.0 1977
Beethoven - Days in a Life

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

Beethoven - Days in a Life

5.8 1976
Man of La Mancha

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

Man of La Mancha

6.6 1972
Appointment in Bray

In 1917, the First World War is raging. Julien is from Luxemburg, so instead of having to go to war he studies piano in Paris. One day his friend Jacques, also a musician and now a fighter pilot on the front, invites him to spend a few days in his family's empty house in Bray. The housekeeper, a beautiful stoic woman lets Julien in, but his friend is late and he is obliged to wait. In the meantime, he starts reminiscing of the pre-war days spent with his friend and Jacques' girlfriend Odile.

Appointment in Bray

4.6 1971
Julie and Dick at Covent Garden

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

Julie and Dick at Covent Garden

7.5 1974
One Sings, the Other Doesn't

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

One Sings, the Other Doesn't

7.1 1977
Ann-Margret Smith

Book-ending the year 1975 with two big budget TV Specials, Ann -Margret also earned her second Oscar nomination that year, for Tommy. In January, "Ann-Margret Olssen" premiered and was titled with the star's maiden name. This second special premiered late in the year and was titled with the star's married name. Her husband Roger Smith also appears in the opening sequences. Presented by the Bell System's Family Theatre, the program was filmed at the ATV Studios at BBC Elstree Centre, Borehamwood, England.

Ann-Margret Smith

7.0 1975
Il Trovatore - Verdi

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Il Trovatore - Verdi

6.3 1978
Pierna creciente, falda menguante

In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso

Pierna creciente, falda menguante

5.3 1970
Wiener Blut

An operetta with music by Johann Strauss II. However, he did not see the premiere. Wiener Blut is set at the time of the Congress of Vienna, 1814-1815, an international conference that sought to settle Europe after the upheavals of the Napoleonic Wars, and follows a traditional operetta plot full of mistaken identities. Count Balduin Zedlau, ambassador of the tiny court of Reuss-Schleiz-Greiz, is posted to Vienna. Count Zedlau is married but a real Don Juan always looking for a new encounter. Many of Strauss' compositions are used in the operetta although he did not specifically composed them for the operetta.

Wiener Blut

8.3 1972
Der Fliegende Holländer

This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.

Der Fliegende Holländer

7.0 1975