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Pierna creciente, falda menguante

In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso

Pierna creciente, falda menguante

5.3 1970
Camelamos naquerar

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Camelamos naquerar

7.0 1976
Lola la Piconera

During the Napoleonic era, when Napoleon's army tried to complete the conquest of Spain and headed towards Cádiz, they met a cantaora from Cádiz (Rocío Jurado) in the streets. However, her outward joy is deceptive since the man she is in love with is the French captain Gustavo Lefevre (Germán Cobos), who has come to conquer Spain. This film made for television stars the singer Rocío Jurado ("En Andalucía nació el amor") and directed by Fernando García de la Vega ("Cinco minutos nada menos").

Lola la Piconera

7.3 1970
Two Revue Girls

A Madrid theater is looking for girls for a new company of revue shows. One of the girls presented is Catalina, very sawy and restless, daughter of a seamstress of the theater. Another candidate is an innocent girl who studies ballet abroad and is the daughter of a famous star, Cecilia Alcaraz. Soon the two girls become good friends and Catalina intends to succeed Alice. Alicia's success also benefits her friend making them the most famous theatrical couple times. But with success comes love, which is also a major impediment to their careers.

Two Revue Girls

5.4 1972
La cera virgen

María works in a hostess bar in Madrid because, forced by the Puritans of her little village, she had to leave accused of public scandal just for having kissed her boyfriend. María, together with her three sisters, decides to return and builds a club in the village faced with the scandalized don Florencio, a repressed banker and overlord who secretly desires María. In order to go unnoticed, María and her sisters run the club through a wax-chandler's shop where the majority of men of the village will parade, which excites even more the lascivious and hypocritical don Florencio.

La cera virgen

8.5 1972
Rocío y los detonadores

'Rocío y los detonadores' is a television musical that includes a fictional script with musical and dance performances. Directed and written by Fernando García Tola, it is an eclectic, bizarre and unusual work that, with Rocío Jurado interpreting herself, portrays in detail many notable points of the province of Granada and mainly its capital. In 'Rocío y los detonadores', Rocío Jurado is a famous singer whom two rival gangs want to kidnap. These bands will steal the artist from each other while they dance to the songs that she is singing through the streets of Granada.

Rocío y los detonadores

NR 1972
La Carmen

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.

La Carmen

6.0 1976