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When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

Don Florestan is a personal enemy of the governor Don Pizarro and also a confidant of the minister Don Fernando. As Pizarro sees Florestan as a threat, he wants to eliminate him. He cannot bring himself to commit open murder, so he has him secretly imprisoned and hopes that he will soon die of his own accord. Florestan's wife Leonore suspects that Pizarro is behind her husband's disappearance. Disguised as a man, she sets off in search of Florestan and, under the name "Fidelio", takes up service as an assistant to the jailer Rocco - she suspects Florestan is in the prison he administers and hopes to free him.

To mark Beethoven's 250th birthday, the documentary sheds light on the composer's private side, linking his writings with his music in an original way. Beethoven's many letters and notes tell of his temperament, his love affairs, his humanism and his struggles, especially with the early onset of deafness.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

Long before his big stage breakthrough in 1973 in Hamburg, and 4.4 million records sold, the rock musician Udo Lindenberg from the Westphalian province, the man with the long hair and the hat, had many adventures. Before it all started, he moved from the remoteness of Gronau to Hamburg, where he met Paula, who was not his great love, but was quite a hottie. When the team of three was complete with Steffi Stephan, the idea of founding a band developed. But the road to get there was a long one: he drummed as a jazz drummer in bands, had a highly dangerous performance in a US military base in the middle of the Libyan desert and always believed in making it to the very top.

The Summer Night Concert was performed this year on September 18th 2020. It is an annual open-air event, which has been held since 2008. The previous series was the "Concert for Europe", which took place from 2004 until 2007. Thanks to it's UNESCO World Heritage setting in the Baroque park of Schönbrunn with the palace as a backdrop, the Summer Night Concert adds great visual charm to it's superb musical quality. This event is classical music at it's very best. Millions of viewers and listeners in more than 80 countries can follow the concert online, on TV and radio. The Vienna Philharmonic's 2020 Summer Night Concert took place in unusual circumstances. After the coronavirus pandemic resulted in the longest enforced break in the orchestra's history, the concert planned for May 2020 had to be postponed until September and took place for the first time with a reduced audience. The Vienna Philharmonic devoted this very special concert to the theme of love.

When world-famous conductor Eduard Sporck accepts the job to create an Israeli-Palestinian youth orchestra, he is quickly drawn into a tempest of sheer unsolvable problems.

Arvo Pärt: Fratres for string orchestra and percussion György Ligeti: Ramifications for string orchestra Samuel Barber: Adagio for Strings Gustav Mahler: Symphony No. 4 (Erwin Stein arrangement)

Documentary musical essay on the topic of "Grenzwert". It was created in 72 hours.

A short film that brings together four music videos created between Japan and Europe in 2019.

A music video for a song by Sandra Hüller.

As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.

Live at Turbinenhalle, Oberhausen, Germany, December 3, 2016 1. Imaginations from the Other Side 8:26 2. I’m Alive 5:40 3. A Past and Future Secret 4:13 4. The Script for My Requiem 6:32 5. Mordred’s Song 5:20 6. Born in a Mourning Hall 5:37 7. Bright Eyes 5:41 8. Another Holy War 5:02 9. And the Story Ends 7:18

"Ta-ta-ta-taaa" - everyone knows these four notes and they are more than 200 years old. This world-famous motif was invented by Ludwig van Beethoven - the rebel without a wig who ignored the laws of music, the world parade champion (more than 20 times in Vienna), the slob who dried his wet shirts on the piano, and an indomitable man who, despite being deaf, created music that today symbolizes the brotherhood of nations. Instead of working through the artist's biography, the program rummages through Beethoven's moving boxes and brings to light events, peculiarities and musical facts about the jubilarian Ludwig van Beethoven in a humorous and knowledgeable way. Excerpts from Beethoven's symphonies show the picture of a composer between the classical and romantic periods, who mastered folkloristic, dance-like lightness as well as depictions of nature, grand symphonies and themes with catchy tunes.

Ute Lemper's one-woman show is a stroll through Marlene Dietrich's life and music. It all began when Marlene, then in her late 80s, called Ute in her Parisian hotel room in 1987.

It's Lene's first day back at work after some time off. Friends and acquaintances, regulars and strangers come to her jazz and blues bar. While Lene is waiting for Danish musician Leif, who is scheduled to perform tonight, the guests discuss all kinds of topics, ranging from pop music by elves and invisible cell phones to maggots eating away at corpses. But what if Leif doesn't show up at all?

Mia has an idea for a musical. The best thing is that this idea is to save the Leo Weiß School from the impending closure. But the "potato salad" staging about the past zombie apocalypse causes great confusion.

Full of Fire is a modern musical about Moas artistic longing to create and her search to belong.

The ruthless mafioso El Huron spreads fear and terror throughout Mexico. He and his henchmen know no mercy. When Chucky, a low-level member of the organization, reveals that a media and mafia conspiracy is being plotted against his cartel, he threatens to break down under the pressure. El Huron is then forced to reactivate the aging underground killer Ñero.

Jonas Kaufmann's very personal tribute to the city's famous music. We see the star tenor on the move in Vienna, visiting his favorite places, from the Ferris wheel to the sausage stand. The centerpiece of the more than 100-minute documentary is the acclaimed concert at the Vienna Konzerthaus, where Jonas Kaufmann, accompanied by the Prague Philharmonic under the direction of Jochen Rieder, sang world-famous melodies from Viennese operettas and famous Viennese songs. The Viennese audience was enthusiastic, and the reviews for the concert were glowing. Interspersed with the music from the concert, we experience Jonas Kaufmann at his favorite places in Vienna, in front of the Konzerthaus, at the Naschmarkt, and in the Vienna Cemetery – sharing interesting facts and stories about Viennese music. "My Vienna" is an atmospheric declaration of love, a personal documentary full of music and stories that touch the heart and put you in a good mood.

Roland Kaiser has invited a wide range of well-known artists, such as Ronan Keating, Adel Tawil, Glasperlenspiel, Wolfgang Niedecken and BAP, Maite Kelly, Ben Zucker, Sarah Zucker, Santiano, Annett Louisan, Jeanette Biedermann, Max Raabe, David Garrett, Götz Alsmann, Sotiria, Oonagh, Joel Brandenstein and the German Television Ballet, for his new music show. They will not only present their own love songs, but also perform extraordinary duets with the host. Love is probably the most frequently sung about theme in music. It gives people the strength to overcome many things, to accompany them in good times and to carry them through difficult times.

A staging of Verdi's opera '"Falstaff" by Calixto Bieito. Recorded at the Hamburg State Opera.

90-minute TV portrait of German composer Helmut Lachenmann.

What are heroes made of and why do our societies need them so badly? At the Staatsoper Stuttgart, stage director Árpád Schilling tries to answer this mythological, political and existential question, lying at the core of Richard Wagners Lohengrin. A wonder! A miracle!, the men and women of Brabant agreed when, against all expectations, someone stood up for Elsa and invalidated the allegations made by the plaintiff Telramund. And yet he does the most normal thing in the world: to help a person in distress. So why is there a need for this savior, surrounded by the aura of mystery, whose name and origin even his new wife Elsa cannot ask? Why does the collective body abdicates its moral and political responsibilities and surrenders them to a single individual? And when does the providential man stops being a savior and becomes a threat?

After 65 years at the rostrum, Bernard Haitink is making his departure from the concert stage at the age of 90. In his farewell concert at the Salzburg Festival, featuring the Vienna Philharmonic and pianist Emanuel Ax, the maestro conducts two tragical-lyrical works that mark the zenith of the respective composers’ creative powers - Beethoven’s Piano Concerto No. 4 and Anton Bruckner’s Symphony No. 7. The Dutch conductor was to enchant his audience, orchestra and apparently also himself in his final performance of the work.

An intimate documentary about the making of Fynn Kliemann's debut album "Nie". Without a label, without a marketing budget and excluding the charts, it became one of the best-selling albums in Germany.

Larion Dyakov is a painter, but he doesn't use paint; instead, he "paints pictures through music." He plays the viola and connects it to a chain of various effects devices to loop his phrases and alter the original sound of his classical instrument. The result is a mixture of classical and modern ambient music that can transport you to another world and paint a new picture in your mind's eye, if you let it.

Grammy-nominated singer-songwriter Rufus Wainwright responds to the coronavirus crisis with an intimate live concert. Without an audience and specially arranged for a small string section, Wainwright performs his new album "Unfollow the Rules" for the TV cameras only. Recorded in the ballroom of the Paramour Mansion, a historic residence in Los Angeles, the musician shows that good songs work even under difficult circumstances.

Richard Wagner's Parsifal, staged at the Teatro Massimo in Palermo in 2020, opened the opera season on January 26. The production, directed by Graham Vick and conducted by Omer Meir Wellber, featured staging with references to the imagery of war.

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

Adorno is not just a theorist and philosopher, he was also a composer and student of Alban Berg in Vienna. The text of the short song goes: “What’s driving there, on a cart and stretches out his long trunk?/ It is a mammoth! It is a mammoth! It is a mammoth which wants to go home.”

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.

A documentary tracing 90s Ruhr rap crew RAG’s enduring influence on German hip-hop, their reunion two decades after Unter Tage, and the impact of member Galla’s tragic death.