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Night Magic

Night Magic, a musical fantasy, is set on earth but it is also about the heavens. At the centre of it all is Michael, a music hall artist, who finds Judy, an angel that epitomizes the woman of his dreams at the System Theatre where he is about to open his new show. For Michael it is just another show along the road but once inside something happens. The night is full of possibilities- full of love and romance, jealousy and infidelity, music and dance, even good and evil. Most of all it is full of magic.

Night Magic

6.5 1985
The Pirates of Penzance

As a young child, Frederic had been apprenticed to a pirate by mistake when he should have been apprenticed to a pilot. Now, having reached his 21st year, Frederic's indentures are at last over and he happily leaves the service of the pirates. When Frederic meets the beautiful Mabel, one of the many daughters (or wards in Chancery) of Major-General Stanley, they fall in love and decide to marry. However, complications arise when the pirates decide to marry the rest of the Major-General's daughters, themselves - and Frederic's birthdate turns out to be not all it seems. Filmed live from the 1985 Stratford Festival in Ontario.

The Pirates of Penzance

8.0 1985
Kubota

A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min

Kubota

NR 1982
Rock 'n' Roll Nightmare

At an old farmhouse, a family mysteriously dissapears at the hands of evil. Years later, hair metal band The Tritons comes to the farmhouse, whose barn now features a 24-track recording studio. Lead singer John Triton gets the band to perform their first night in the farmhouse after dinner, and weird little beasties suddenly appear, and strange things start to happen. Band members (and their tagalong girlfriends) begin to act strangely and vanish one by one. Soon, only John Triton remains, and he holds a secret. Finally, the evil shows itself and a battle between heaven and hell ensues....

Rock 'n' Roll Nightmare

4.6 1987
Vivaldi

It was Antonio Vivaldi who developed the classic symphony orchestra, added coloration to the strings and wind instruments to the ensemble, originated the concerto for solo instruments, and was considered to be one of the greatest violinists of the 18th century. This biographical program chronicles the life and musical styles of Vivaldi, with on-location footage and lush studio re-creations of original settings showcasing the astonishing variety of Vivaldi’s works. Included are extracts from operas, oratorios, masses and sonatas, and concertos for flute, oboe, and trumpets, as well as such violin concertos as The Four Seasons. Fifteen-year-old prodigy Corey Cerovsek portrays the young Vivaldi, and world-renowned violinist Steven Staryk plays Vivaldi as a grown man.

Vivaldi

NR 1987
Glenn Gould: a Portrait

Glenn Gould: A Portrait is a biography of pianist and "explorer of sounds" Glenn Gould. The 105-minute program -- a montage of interviews, photographs, recording sessions, and concerts -- depicts the life and times of this late musician. Highlights of the film include pictures and scenes from Gould's life in Canada, as well as interviews with Geoffrey Payzant, broadcaster Margaret Pacsu, musician John Peter Lee Roberts, and music critic Paul Hume. Gould's personal views on animals (especially his affinity for skunks), his psychiatry, pacifism, and solitude are reflected on by family and friends.

Glenn Gould: a Portrait

9.0 1985
All That Bach

Filmed in Canada during the Bach 300 Festival the film demonstrates the stunning universality of Bach's music from a graceful cantata duet to a rousing fugue performed by a tap dance ensemble. It is a celebration of the music of J S Bach as it is played, danced, sung, jazzed, computed, tapped, electrified and busked by a wide range of internationally renowned artists. Among the performers highlighted in this spectacular homage are jazz pianist Keith Jarrett, Christopher Hogwood and the Academy of Ancient Music, contralto Maureen Forrester, cellist Anner Bylsma, the Canadian Bass and the National Tap Dance Company.

All That Bach

8.0 1985
Kodo: Heartbeat Drummers of Japan

Kodo—the Japanese word for heartbeat—is the name of a group of musicians and dancers whose exhilarating performances of traditional and contemporary Japanese drumming has captivated audiences worldwide since its 1981 debut in Berlin. Produced and directed by filmmaker Jacques Holender, this is the original 1983 KODO documentary, which explores their commitment to a unique aesthetic and collective ideal. Filmed on location in Japan at their communal home on Sado Island, and in Tokyo. Soon after this documentary was filmed in January 1984, the young performers of Kodo set out on a new journey under the banner of “One Earth Tour.” By taking the sound of taiko to all corners of the globe, Kodo hoped their music and message would resonate with myriad cultures and ways of life, reminding people of our common bonds as human beings. In 2024, this film was digitized and made available for distribution to commemorate the 40th anniversary of the beginning of Kodo’s ongoing “One Earth Tour."

Kodo: Heartbeat Drummers of Japan

9.0 1984
Crossroads - Three Jazz Pianists

Shot in 1987 at the Montréal International Jazz Festival, this documentary film presents musical performances and conversations between three jazz pianists with remarkably different styles: Soviet Leonid Chizhik, Black Montrealer Oliver Jones, and French-Canadian Jean Beaudet. It introduces viewers to the diversity of interpretation within today's jazz world, explores the roots of modern jazz and the specific formative influences on the musicians profiled, and reaches for a definition of twentieth-century jazz.

Crossroads - Three Jazz Pianists

NR 1988
Albert King with Stevie Ray Vaughan - In Session

Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well. --Genevieve Williams

Albert King with Stevie Ray Vaughan - In Session

7.3 1983
Guitar

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

Guitar

NR 1988
Au pays de Zom

A film-opera divided into nine segments, Au pays de Zom tells a day in the life of Mister Zom, a capitalist infatuated with his own person, whose conformism is only matched by his artistic velleity. A thematic sequel to his movie filmed with Mexican peasants, here Groulx asks, by making a business man sing, a second question on happiness: this time about the ones for whom happiness is linked with the possession of overabundance. He delivers, by developing the theatrical dimension with great emphasis, a social pamphlet with a strong satirical charge that he himself qualified as a "neo-surrealist fantasy".

Au pays de Zom

7.0 1982