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Schubert: Fierrabras

Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

Schubert: Fierrabras

NR 2015
Andy's Funhouse

This special was taped in 1977 but did not air until August 1979, on ABC. It featured most of Andy's famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments (including a special appearance by children's television character Howdy Doody and the "Has-been Corner"). There also is a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present. Andy's Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.

Andy's Funhouse

6.2 1979
Die Fledermaus (La chauve-souris)

If there has been an "edit" somewhere on the music theatre scene since the dawn of the new millennium, which has been noted by the chroniclers as a tangible scandal - then the Salzburg festival production of the operetta "The Bat" by Johann Strauß, staged by Hans Neuenfels. Neuenfels, born in Krefeld in 1941 and long known as the "enfant terrible" of the theatre scene, was not the first within the reception history of the "bat" who dared to scratch their paint. This time there was not only an unconventional direction, but also serious interventions in the libretto. Neuenfels has written new dialogues, incorporating texts from other authors: Karl Kraus, Gottfried Benn, Hugo Ball. Conductor is Marc Minkowski.

Die Fledermaus (La chauve-souris)

NR 2001
New Year's Eve Concert of the Berlin Philharmonic Orchestra 2025

The Berliner Philharmoniker dedicate their New Year's Eve concert to famous lovers from the repertoire, embodied with intensity by French tenor Benjamin Bernheim. On the program: Don José (Carmen by Georges Bizet), Lenski (Eugene Onegin by Tchaikovsky), Werther (in the opera of the same name by Jules Massenet) and Romeo (Charles Gounod's Roméo et Juliette). Conducted by Kirill Petrenko, works by Gabriel Fauré, Emmanuel Chabrier, and George Gershwin round out this festive program.

New Year's Eve Concert of the Berlin Philharmonic Orchestra 2025

NR 2025
Louis, Martin & Michael

Louis Theroux sets out on a personal quest to meet the ultimate pop idol - Michael Jackson - and examine the often bizarre world that surrounded him and those that worshipped at his altar. The journey began in the summer of 2002 with a simple phone call to Uri Geller - a personal friend of Jackson's - to fix a meeting for Louis. What happened next resulted in a fantastical trek into a weird world of characters who orbited around the 'King of Pop'. Majestic Magnificent, Michael's personal magician, could be the gatekeeper to a meeting or just a fraud. Would Louis, a lifelong fan of Jackson, eventually meet his hero?

Louis, Martin & Michael

6.4 2003
Albéric Magnard: Guercœur @ Opéra national du Rhin, Strasburgo

In the ethereal afterlife, there is no time or space. The shades, freed from their earthly cares, celebrate the greatness of the Goddess of Truth. Shrouded in eternal glory, she sits triumphant, flanked by Beauty and Goodness, while at her feet lies Suffering in her mantle of blood. In the midst of this chorus of praise, a discordant lament rises: “To live! Who will give me back the thrill of life?” The voice belongs to Guercœur, who died in the prime of life after falling in love with Giselle and freeing his people from a tyrant, assisted by his friend Heurtal. Unable to rest, Guercœur begs to return to his fleshly form. Truth warns him: two years have already passed on Earth where nothing lasts forever. His fall from paradise could be brutal…

Albéric Magnard: Guercœur @ Opéra national du Rhin, Strasburgo

NR 2024
Bom Mesmo É Carnaval

Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.

Bom Mesmo É Carnaval

6.5 1962
The Three Tenors - The Lost Concerts

The Three Tenors began their collaboration with a performance at the ancient Baths of Caracalla in Rome, the eve of the 1990 FIFA World Cup Final. Following the big success of the 1990/1994 concerts, The Three Tenors opened a world tour of 31 concerts, the last one in 2003. Seven of these 31 concerts had been recorded for TV but disappeared somewhere in London. All attempts to bring back these invaluable recordings to the audience failed. Now, after all these years, C Major in cooperation with Three Tenors Ltd. managed to assemble the most beautiful moments of six lost concerts in Munich, Tokyo, London, Vienna, New York and Pretoria.

The Three Tenors - The Lost Concerts

NR 2017
PressPausePlay

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

PressPausePlay

7.1 2011
Concert for Diana

Concert for Diana was a benefit concert held at the then newly built Wembley Stadium in London, United Kingdom in honour of Diana, Princess of Wales, on 1 July 2007, which would have been her 46th birthday. 31 August that year brought the 10th anniversary of her death. The concert was hosted by Diana's sons, Prince William and Prince Harry, who helped to organise many of the world's most famous entertainers and singers to perform. Proceeds from the concert went to Diana's charities, as well as to charities of which William and Harry are patrons. The concert was broadcast in 140 countries with an estimated potential audience of 500 million. In December 2006, 22.500 tickets were made available for purchase for the concert, selling out in just 17 minutes. 63.000 people turned out to Wembley Stadium to watch the performances to commemorate Diana.

Concert for Diana

7.6 2007