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Comrade Song

The movie-almanac consists of three novellas dedicated to the song. "Song-password". Lieutenant Marchenko is sent to the Nazi-occupied city to pass a purse with fuses to the underground scouts through the liaison. The password song helps the scouts to find each other. "Song about the mother." Working in distant Africa, pilots Igor and Victor once recorded on a tape recorder a song about his mother. Soon Igor dies during an epidemic. And Victor, in memory of his friend, gives his mother the tape they recorded. "Song at Dawn". Student Sergei dedicated to his favorite girl Valya composed by him "Song at Dawn". Valya then did not understand Sergei's feelings and married his friend. Sergei leaves. Years pass. Valya's personal life did not go well. And now she often remembers Sergei's sweet song.

Comrade Song

NR 1966
Carnival Nights

Jack Benny presents a variety hour with a carnival theme that stars Lucille Ball, Johnny Carson, Ben Blue, and Paul Revere and The Raiders. Cameos by The Smothers Brothers (as Joe-Joe, the two-headed boy), George Burns (as Martine, the Bearded Lady), and Dean Martin (as Rip Van Rinkle, the sleeping man). Songs include Lucille Ball singing "It's So Nice To Have a Man Around the House" and "Cleo" (to the tune of "Mame"), "Too Much Talk" and "Him or Me" sung by Paul Revere and The Raiders.

Carnival Nights

7.0 1968
Dos locos en escena

Viruta and Capulina, magicians working in a theater where the actors delegate dishonest ratchets, is assassinated by two stagehands to remove payroll and left her body in the clubhouse Cristas singer Virutas girlfriend. He and Capulina move the body in a trunk to utility room but the trunk is base off and the body is in the Viruta's room. A lush Chasing Coquis showgirl girlfriend Capulina, stains of red paint and falls asleep, believing him dead detectives accuse Capulina and Viruta of murder.

Dos locos en escena

6.9 1960
Seniman Bujang Lapok

Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.

Seniman Bujang Lapok

8.2 1961
Festival

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

Festival

6.0 1967
Purple Night

One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.

Purple Night

7.0 1968
The Night Rider

Originally a pilot for a series called "Gallaway House" that was never picked up. The patrons of a late-19th Century America theater flock to see the latest production, a Western tale of redemption. Johnny Laredo, a middle-aged gunfighter fleeing his many enemies by traveling at night, stops briefly at the campfire of Tim Dawson's team of cattle drivers for a cup of coffee and a bit of human companionship. Dawson offers Laredo a job, but Laredo is afraid to return to Wyoming where he killed a number of men. Stopping in a small Texas town for supplies before heading across the Mexican border, the gunfighter is forced to fight a inexperienced youngster trying to make a reputation and kills him. Even though he is acquitted, the gunfighter has had enough and returns to Dawson, accepts the job, and hopefully, the opportunity for redemption.

The Night Rider

8.0 1962
It's Always Spring

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

It's Always Spring

NR 1962