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In Rome's notorious gay club, the Alibi, men date, love and quarrel. Meanwhile, on stage, the classic drama of Salomé is played but with surprising variations, In the end, a clown goes out through the city's streets saying a monologue that explains it all, while satirizing the bourgeoisie.

The Vienna Symphony Orchestra, conducted by its new conductor Petr Popelka, celebrates Johann Strauss II in the splendid setting of the Teatro Rossetti in Trieste.

Travis Scott's first ever live performance of his fourth studio album, Utopia.

Muddy Waters peforms in various taped clips during his later years as an elder statesman of the Chicago Blues.

Nino is a young and poor boy who meets Annamaria, a rich spoiled girl who's on holiday with his father in Capri.

Caterina, a young teacher, has a hobby of singing and occasionally delights her students.

Documentary of the show theatre "Small Moral Works".

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.

While happily engaged to Rosalia, Tony has the misfortune of falling for a vibrant pilot named Valeria — and that’s just the beginning of his problems.

As soon as he graduated from the Naples Conservatory, Vincenzo Bellini meets Maddalena Fumaroli and immediately falls in love with her.

Uto Ughi recounts Ludwig van Beethoven, performing: Romance in F major for violin and orchestra, Op. 50, with I Filarmonici di Roma; the Kreutzer Sonata with R. Buchbinder; Sonata Op. 24 in F major with T. Vasary; Concerto in D major for violin and orchestra, Op. 61, with the MMF Orchestra and Maestro Mehta.

Vivaldi's opera L'incoronazione di Dario staged by Teatro Regio di Torino, conducted by Ottavio Dantone

Accompanied by a luxurious team of professionals, consisting of the renowned stage director Peter Stein, his stage designer Ferdinand Wöger and conductor Ádám Fischer, Teatro alla Scala presents with Mozarts Zauberflöte a production where orchestra, chorus, soloists as well as outfitters all consisted of students of the Academia Teatro alla Scala, the educational institution aimed to train the young talents, founded by the Teatro alla Scala in 2001. The result was more than stunning and an instant success with the audience of the ten sold out performances at La Scala, which is famous for its more than critical loggionisti. According to Die Presse, Fischer gets the best out of the Academy Orchestra with delicate execution and humane phrasing while the Frankfurter Allgemeine Zeitung praises Fatma Said as "Pamina" and Yasmin Özkan as "Queen of the Night".

L'elisir d'amore (The Elixir of Love) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre (1831). Written in haste in a six-week period,[1] L'elisir d'amore was the most often performed opera in Italy between 1838 and 1848[1] and it has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013.[2] There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima," a romanza that has a considerable performance history in the concert hall.

Violetta is over and they look back to how their life has changed and how much fans they have. The film also includes songs and behind-the-scenes footage from the Violetta Live 2015 International Tour in Montpellier, France.

The sons of a music-loving insurance broker take extreme measures to find happiness for themselves and others, with some help from the power of music.

Nico and Ray are surrounded by a gang of friends who love to have fun and brighten up the gray days of Milan's suburbs. They believe that love and friendship are the key ingredients for escaping the slums where they live. Between rap songs, Nico and Ray's friends try to survive day by day.

A musical comedy divided into five segments: Mariantonia, Cuttica, Il Fine Dicitore, Fregoli and Il Censore.

Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.

The orchestra of the Accademia Nazionale di Santa Cecilia is touring Moscow for the Rostropovich Festival. Pianist Francesco Piemontesi is the guest soloist with Maestro Antonio Pappano and his orchestra.

Daniel Harding, Music Director of the Accademia, conducts the Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia in Richard Wagner’s *Die Walküre*, presented in a special staged production.

The opera that Claude Debussy created from Maurice Maeterlinck’s symbolist drama stands as one of the greatest achievements in the history of musical theatre.

Young members of a pop band seek their first sexual experience.

Sacred composition (1984) dedicated to Alessandro Manzoni - with Maria Agresta, Daniela Barcellona, Piotr Beczala, Ildar Abdrazakov - Verbier Festival Orchestra, choir Teatro Regio di Torino - dir. Gianandrea Noseda (2013).

From the Rai Arturo Toscanini Auditorium in Turin, the Rai Orchestra’s principal guest conductor, Robert Treviño, presents Gustav Mahler’s Symphony No. 10 in F sharp major, performed in the version completed by the English musicologist Deryck Cooke.

A pair of twins, Anna and Tony, leave their country to go to Rome to make their fortune. Anna knows how to sing and Tony knows how to dance. They suffer many setbacks, but they are willing to go the distance in order to succeed.

A look at the dynamics of a fashion company, which opens a unique window on the vibrant world of Milan fashion.

Turi, a young Sicilian, makes ends meet by doing some occasional work and singing in taverns in a popular district of Rome.

From the Auditorium Parco della Musica, the Orchestra dell'Accademia Nazionale di Santa Cecilia performs music by J. Strauss, Tchaikovsky, Brahms, Weber, Berlioz, Ponchielli, and Offenbach.

In love with the beautiful Anna, Nino follows her on vacation to Taormina and, to impress her, pretends to stay in a luxurious hotel. The misunderstandings follow each other. Neapolitan scenary, revised in a comic-seaside key, to the extent of the symbolic face of the genus Nino D'Ange.

An Italo-American singer and as he arrives at the airport he is accused of being a draft dodger and is drafted. He soon begins a love story with his commander's daughter.

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

Musical, in the style of GREASE, with dance numbers and entertainment. Set in a high school, about the ups and downs in the love affair between Paola, the class mischief maker, and Marco, a substitute teacher.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

From the RAI Auditorium in Turin, the RAI National Symphony Orchestra, soprano Giuliana Gianfaldoni and mezzo-soprano Cecilia Molinari, conducted by Andrés Orozco-Estrada, perform Pergolesi’s *Stabat Mater dolorosa* and Beethoven’s Symphony No. 6 in F major, Op. 68 (Pastoral).

A Mozart opera at La Scala in Milan.

Rossini's first staged opera already contains all the elements that would take the music world by storm in Il barbiere di Siviglia, L'italiana in Algeri and La Cenerentola in the years to come: melodic inventiveness, ingenious connections between sung lines and orchestral accompaniment in the exuberant finale, musical humour and ensembles using breathtakingly fast parlando singing. This sparkling production continues the Rossini one-act opera series emerging from the Schwetzingen Festival with excellent direction, acting and stagecraft. Director Michael Hampe created a perfect realization of the opera in the small, jewel-like Rococo Theatre of Schwetzingen Palace in May 1989.

A group of sailors usually spends their shore leave chasing after girls in the ports they dock at. This time, however, the young men will limit themselves to acting as go-betweens. They’ll devote their energies to helping bring to a successful conclusion the romance between one of their officers and the manager of a record store.

An aspiring singer is torn between the love for a devious ex-flame, the affection of a simple girl and the loyalty to his paralyzed best friend.

Rock musical adaptation of William Shakespeare's "A Midsummer Night's Dream".

From the Auditorium Rai Arturo Toscanini in Turin, the Orchestra Sinfonica Nazionale della Rai, conducted by John Axelrod and featuring the voices of The Swingles, performs music by Luciano Berio, Sinfonia for eight voices and orchestra, and Leonard Bernstein, Divertimento for orchestra and Fancy Free, suite for orchestra.

This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.

George Frideric Handel was one of those rare composers who excelled in both sacred, secular, instrumental and operatic music, leaving us extraordinary masterpieces in every field. Already renowned in Italy, Handel introduced himself to the city of London with his opera Rinaldo in 1711, which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades, Rinaldo is a lavish spectacle that tells a story of love, magic, struggles for power and ultimate reconciliation. Pier Luigi Pizzi’s acclaimed production brings us into a ‘dreamlike, unreal … world of spells and incantations’ (Epoca). Cast:- Armida: Carmela Remigio, Goffredo: Leonardo Cortellazzi, Almirena: Francesca Aspromonte, Rinaldo: Raffaele Pe, Argante: Andrea Patucelli